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CARL MARIA VON WEBER: ‘Hymne, "In seiner Ordnung schafft der Herr"’, op.36, for soprano, alto, tenor and bass soloists, four-part chorus and orchestra (words, Friedrich Rochlitz); 1825. Score. Copy, in ink, with annotations in pencil. The words are not written into the score. A copy made for Sir...
GIOACCHINO ROSSINI: ‘D’un bell’uso di Turchia, Duetto’, from ‘Il Turco in Italia’ (words, Felice Romani), for two basses (Selim and Geronio) and orchestra; first half of 19th cent. Score. Copy, in ink, written on paper ruled with ten staves to the page, in the same hand throughout, with correcti...
GIOACCHINO ROSSINI: ‘Tantum Ergo’, for two tenors and bass soloists and orchestra; second half of 19th cent. Parts. Copies in ink, in the same hand throughout, with a bombardone part added in another hand (ff. 85-6). Most parts are bound in blue paper covers numbered ‘589’. Second tenor part sig...
MISCELLANEOUS LETTERS OF MUSICIANS AND OTHERS; 1806-1965, n.d. ff. 37. Overall size 283 x 247mm. 1. ff. 1-5. Correspondence relating to a letter of 1790 from Clemens August von Schall to Amtsgerichtsrath Degen revealing that the author of the text of Beethoven’s early cantata WoO 87 (and appar...
Johann Sebastian Bach: Cantata for the 19th Sunday after Trinity, `Wo soll ich fliehen hin?' (words after Johann Heermann), for four voices and instruments (BWV 5)
Scope & Content:
Autograph full score. Written in brown ink on systems of two to ten staves. Headed (f. 3r) `J[esu]. J[uva]. Do[m]i[ni]ca 19 post Trinit. Wo soll ich fliehen hin? Concerto'. With revisions throughout also in Bach's hand (listed in detail in Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke (Ka...
Johann Sebastian Bach: Cantata ‘Herr Gott, dich loben alle wir’ (BWV 130): viola part
Scope & Content:
In the hand of Christian Gottlob Meissner, with corrections and reference to a supplementary leaf (see ‘Related manuscripts’) added by the composer. Written in brown ink on single staves, on both sides of a single leaf. With cantata title and ‘Viola’ in upper margin of recto. Contains three of t...
Johann Sebastian Bach: Chorale preludes ‘Komm, Gott Schöpfer, heiliger Geist’ (BWV 631a) and ‘Herr Jesu Christ, dich zu uns wend’ (BWV 632), for organ, both from the ‘Orgel-Büchlein’
Scope & Content:
Copy in the hand of Christian Gottlob Meissner. Written in brown ink on systems of two staves, using soprano and bass clefs. On a single leaf, with BWV 631a on the recto and BWV 632 on the verso; the titles are given in the upper margins, that of BWV 632 followed by ‘Canon:’ perhaps in another h...
Wilhelm Friedemann Bach: Flute part, in D, to an unidentified concerto in three movements
Scope & Content:
Apparently not autograph; in an unidentified hand. Written in ink on single staves on either side of a single leaf. Headed ‘Concerto:’, and ‘Flaut Traversiere’. The first movement, in 2/4 time but with no tempo direction, is of 147 bars; movement II, ‘adagio’, 3/4, 40 bars; movement III (occupyi...
Béla Bartók: Four Pieces for Orchestra, op. 12 (BB 64)
Scope & Content:
Autograph draft full score. Written in ink on systems of up to 26 staves, with annotations in pencil and in blue and red crayon. Signed, with the opus number, in pencil (f. 2r). The pieces are for differing forces and the instrumentation for nos. II-IV is noted at the foot of the first page of e...
