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2. Add MS 10338
- Reference (shelfmark):
- Add MS 10338
- Title:
- A collection of anthems, songs, duets, trios, services, cantatas, motets, and other pieces, in the hand of George Jeffreys
- Scope & Content:
- ff. 4-13. 'Fantazies,' or Fancies, for strings and organ, in score, by George Jeffreys. 1-6. Six 'of 3 Parts for the Violls and the Virginall.' Autograph. In the 5th Fantasia, a few notes have been added to the virginal part to make it suitable for playing on the organ. f. 4. 7. Another 'of 2 pa...
- Collection Area:
- Music Collections
- Languages:
- English, Italian, and Latin
- Date Range:
- after 1669
- Extent:
- 1 volume
3. Add MS 11608
- Reference (shelfmark):
- Add MS 11608
- Title:
- A collection of songs, motets, duets, canons, anthems and part-songs
- Scope & Content:
- passim. Duets and dialogues, the latter with a bass, in score. 1. Dialogue (Strephon and Daphne), begins 'Come, my Daphne.' 'William Lawes.' f. 2. 2. Another (treble and bass), begins 'What if I dye.' By the same, f. 7b. 3. 'Come, Cloris; hye wee to ye Bower.' 'Henry Lawes.' f. 8b. 4. Dialogue (...
- Collection Area:
- Music Collections
- Languages:
- English, Italian, and Latin
- Date Range:
- 1656-1659
- Extent:
- 1 volume
4. Add MS 14340
- Reference (shelfmark):
- Add MS 14340
- Title:
- A collection of motets, graces, sacred songs, hymns, glees, a secular song, a vocal trio, an organ duet, an organ solo, a string quartet
- Scope & Content:
- ff. 2-36 passim. Motets, etc., for 4 voices (unless the contrary is stated), in score, by S[amuel] Wesley; 1798-1814. Autograph. 1. ‘Anima nostra erepta est’: antiphon for 5 voices, with ad libitum accompaniment for the organ, f. 2. 2. ‘Levate capita vestra.’ ‘1798.’ f. 7. 3. ‘Constitues eos pri...
- Collection Area:
- Music Collections
- Languages:
- English, Italian, and Latin
- Date Range:
- 1788-1814
- Extent:
- 1 volume
5. Add MS 14343
- Reference (shelfmark):
- Add MS 14343
- Title:
- A collection of music by Samuel Wesley, including glees, songs, duets, pianoforte solos, a vocal trio, and a quartet
- Scope & Content:
- passim. Glees, for 3 voices (with two exceptions noted below), in score, by Samuel Wesley; about 1839 (see f. 46). In the hand of Vincent Novello, from MSS belonging to Charles Stokes, etc. 1. 'While others, Delia, use their Pen.' '1800.' f. 4b. 2. 'Sol, Do, Re, Mi': a fantasia. f. 6. 3. 'When B...
- Collection Area:
- Music Collections
- Languages:
- English, French, and Latin
- Date Range:
- 1798-1839?
- Extent:
- 1 volume
6. Add MS 17785
- Reference (shelfmark):
- Add MS 17785
- Title:
- A collection of compositions, including: cantatas, and other pieces, for the voice, and single instruments, and from operas, with accompaniments, by named and anonymous French authors
- Scope & Content:
- Airs (and other numbers indicated below) from French Operas. Except where the contrary is stated, they are by Jean Baptiste Lully, and unaccompanied. The bass, where given, is usually figured. 1. 'Ritournelle' for 2 violins, with a figured bass. f. 21. 2. 'Poursuivons jusqu'au trépas': duet ...
- Collection Area:
- Music Collections
- Languages:
- English and French
- Date Range:
- c 1737
- Extent:
- 1 volume (213 folios)
7. Add MS 19648
- Reference (shelfmark):
- Add MS 19648
- Title:
- Collection of 19th-century compositions predominently for voice, by Franz Joseph Haydn, D. Bruguier, Thomas Brewer, W. H. Cutler, and anonymous.
- Scope & Content:
- ff. 2, 7. Canzonets, originally written for a single voice, by Franz Joseph Haydn, harmonized for 3 voices, with pianoforte accompaniment, in score, by D. Bruguier. 1. 'Despair,' begins 'The anguish of my bursting heart.' f. 2. 2. 'Fidelity,' begins 'While hollow burst the rushing winds.' f. 7. ...
- Collection Area:
- Music Collections
- Languages:
- English
- Date Range:
- 1810-1833
- Extent:
- 1 volume (46 folios)
8. Add MS 19759
- Reference (shelfmark):
- Add MS 19759
- Title:
- Collection of compositions, mostly without accompaniment, by various authors, including: Purcell, Hart, Banister, Turner, and other composers of the latter part of the 17th century.
- Scope & Content:
- Songs without accompaniments. Anonymous, unless the contrary is stated. 1. 'Love you by all that's good.' f. 2. 2. 'I bring thee, ô thou charming Fair.' '[James (?)] Hart.' f. 2b. 3. 'Let's loue and let's laugh.' '[J.] Banister.' f. 3. 4. 'I loue and am lou'd.' f. 3. 5. 'To Cloris what I did pre...
- Collection Area:
- Music Collections
- Languages:
- English
- Date Range:
- 9 Jun 1681
- Extent:
- 1 volume (46 folios)
9. Add MS 25073-25078
- Reference (shelfmark):
- Add MS 25073-25078
- Title:
- A collection of various British dance tunes, songs, airs, and other pieces
- Scope & Content:
- Collections of English, Irish and Scottish, songs, numbers from operas, dance tunes, airs, and other pieces from various composers, compiled around 1790.
- Collection Area:
- Music Collections
- Languages:
- English, French, and Italian
- Date Range:
- Late 18th century
- Extent:
- 6 volumes
10. Add MS 29291
- Reference (shelfmark):
- Add MS 29291
- Title:
- A collection of part-songs, canons, catches, glees, parts of services, vocal trios and duets, as well as some instrumental music
- Scope & Content:
- ff. 3-56 passim. Part music, for 4 voices (unless the contrary is stated), in score; 18th cent. 1. 'Hark, jolly shepheards.' 'Thos Morley.' [1594.] f. 3. 2. 'Dare you haunt' ('The Fayries daunce'). 'Thos Ravenscroft.' [From .] '1614.' f. 10. 3. 'Awake, sweet Love.' This and nos. 4-6 [from the ],...
- Collection Area:
- Music Collections
- Languages:
- English, Italian, and Latin
- Date Range:
- 17th century-18th century
- Extent:
- 1 volume