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Two views of the Red Sea coastline by Thomas Elwon (1793/4–1835)
Scope & Content:
Genre/Subject Matter: These two topographical views of the coastline along the Red Sea coast are sketched from on board ship. On the recto is a relatively detailed view of a marshy coastline, with mountains in the background. Several boats at sail and a stand of trees are the central features ...
Two views of the Red Sea coastline by Thomas Elwon (1793/4–1835)
Scope & Content:
Genre/Subject Matter: These two topographical views of the Red Sea coast are sketched from on board ship. On the recto is a detailed view of a large, fortified town, with mountains in the background. A long high wall separates the town from the sea, with various towers located along its length...
Two views of the Red Sea coastline by Thomas Elwon (1793/4–1835)
Scope & Content:
Genre/Subject Matter: These two topographical views of the Red Sea coast are sketched from on board ship. On the recto is a detailed view of a stretch of coastline with mountains in the background. Immediately right of centre a large number of palm trees have been represented. At far left is a...
View of Hodedda [Al Hodeida] and a fort by Thomas Elwon (1793/4–1835)
Scope & Content:
Genre/Subject Matter: These two topographical views of the coastline along the Red Sea coast are sketched from on board ship. The upper image shows the town of Hodedda [Al Hodeida] from a distance of two miles. Although the sketch is incomplete, a number of details are visible: at right a larg...
Drawings of the coast around Aden and along the Red Sea made during Elwon’s survey to establish the best course for steamers travelling to and from Suez by Thomas Elwon (1793/4-1835)
Scope & Content:
Genre/Subject Matter: A series of coastal profiles in pencil, mostly incomplete, record the survey of the Red Sea undertaken by Captain Thomas Elwon of the Benares that took place between 1829-1834 to establish the best course for steamers to and from Suez. Taken from a sketch book inscribed ...
View of a coastal town by Thomas Elwon (1793/4–1835)
Scope & Content:
Genre/Subject Matter: These four topographical views of the coastline along the Red Sea coast are sketched from on board ship. The upper image shows either the city of Jeddah or the town of Hodedda [Al Hodeida] with the Hijaz mountain range visible in the background. Right of centre, one peak ...
Two views of the coast of Babelmandel Cape [Ras Bab-el-Mandeb] by Thomas Elwon (1793/4–1835)
Scope & Content:
Genre/Subject Matter: These two sequential topographical views of Babelmandel Cape [Ras Bab-el-Mandeb], sketched from on board ship. The area shown is a fully worked view based on the sketches found in WD3528 and show the following features of the coastline, from left to right: Fisher’s or Pi...
Collection Area:
Visual Arts
Languages:
English
Date Range:
1829-1834
Extent:
2 sequential, topographical, watercolour views on 1 sheet of paper
Three views of the coastal towns of Hodeida, Loheia and El Cassar by Thomas Elwon (1793/4–1835)
Scope & Content:
Genre/Subject Matter: These three topographical views of the coastal towns of Hodeida, Loheia and El Cassar were sketched from on board ship. The upper view shows a fully worked watercolour drawing of the sketch found in WD3533, showing the town of Hodeida [Al Hudaydah] as it extends along th...
Collection Area:
Visual Arts
Languages:
English
Date Range:
1829-1834
Extent:
3 topographical, watercolour views on 1 sheet of paper
George Frideric Handel: ‘Floridante’, opera in three acts (libretto Paolo Antonio Rolli): final chorus ‘Quando pena la costanza’ from Act III
Scope & Content:
Autograph full score. Written in ink on systems of nine staves. No tempo direction. Headed ‘Coro’ (f. 1r) and with ‘Fine dell’ Opera à Londres ce 28 de Novembre 1721’ at the end (f. 4r). Part of Handel’s composition score of the opera. The discovery of this hitherto missing conclusion to the c...
George Frideric Handel: Oratorio ‘Joseph and his Brethren’ (words James Miller, after the book of Genesis), 1743: recitative ‘With Songs of ardent gratitude, and Praise’
Scope & Content:
Autograph score. Written in ink on systems of two staves: vocal line in the alto clef and figured bass. Headed ‘Joseph’ in the upper margin, the music followed by ‘Segue il Coro Alleluja we will rejoice’, and with ‘Fine dell oratio. [sic] Joseph’ in the lower margin. Joseph and his Brethren wa...
