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Project / Collection Music Miscellaneous Language Latin Material Type Archives and Manuscripts

1. A.339.b.

Reference (shelfmark):
A.339.b.
Title:
ORLANDE DE LASSUS, MICHELE VAROTTO AND OTHERS: (first) tenor parts of Magnificat settings; late 16th cent. Added in ink to the pages at the end of the printed tenor part of Orlande de Lassus, Magnificat Octo Tonorum, sex, quinque, et quatuor vocum (Noribergæ: In Officina Theodorici Gerlazeni, 1573). On f. iii, in a different hand of similar date, are written two quotations relating to music, the first apparently from a letter, headed ‘Ioannes Otto ad Ferdinandum regem Bohemiæ’ and beginning ...
Scope & Content:
Music: Tenor parts of Magnificats, Kyrie, Gloria, and sequence 'Grates nunc omnes': late 16th cent.: Lat. includes: f. iii Ioannes Otto, musician: Ferdinand I of Bohemia: Extract from a letter to Ferdinand, King of Bohemia from Ioannes Otto: late 16th cent.: Lat: Copy.ff. i, vi Bible LATIN...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
Late 16th century
Extent:
1 item

2. Case.35.f.10.

Reference (shelfmark):
Case.35.f.10.
Title:
‘SALVE FESTA DIES’: two parts of a polyphonic setting; after 1528. Written on f. clxiv v and the rear flyleaf of the printed Processionale ad usum Sarum ([Antwerp]: Christophorus Ruremunden, 1528). The two parts (tenor and bassus) are written in different hands, and above the bassus part (f. clxiv v) another hand has written the start of Psalm 130 (‘De profundis clamavi ad te’), with melody. Acquired in the nineteenth century. ff. 164 + i. 195 x 138mm.
Scope & Content:
includes: f. clxiv v Psalms: Psalm 130, with chant, added to a printed Sarum Processional: after 1528: Lat.ff. clxiv v, rear flyleaf Music: Tenor and bassus parts of a setting of 'Salve festa dies', added to a printed Sarum Processional: after 1528: Lat.
Collection Area:
Music Collections
Languages:
Latin
Date Range:
after 1528
Extent:
1 item

3. Case.35.f.14.

Reference (shelfmark):
Case.35.f.14.
Title:
POLYPHONIC ‘KYRIE ELEISON’; after 1545. Written on ff. ccxi v and 216v of the printed Processionale ad usus insignis ecclesie Sarum observandos accommodum ([Antwerp]: Christophorus Ruremunden, 1545). On f. ccxi v the first verse of the Hymn ‘Salve festa dies’ is written in square plainsong notation, then in another hand the Bassus part of a polyphonic setting of words beginning ‘Kyryeleyson qui pretioso sanguine’ in mensural notation. On f. 216v are written tenor and ‘secundus contratenor’ p...
Scope & Content:
includes: f. 211v Hymns: Words and music to the first verse of 'Salve festa dies', added to a printed Sarum Processional: after 1545: Lat.ff. 211v, 216v Music: Polyphonic 'Kyrie eleison' added to a printed Sarum Processional: after 1545: Lat.
Collection Area:
Music Collections
Languages:
Latin
Date Range:
after 1545
Extent:
1 item

4. Case.35.g.12.

Reference (shelfmark):
Case.35.g.12.
Title:
MUSICAL ANNOTATIONS; after 1532. Added in several hands to the printed volume Hymnorum cum notis opusculum usui insignis ecclesie Sarum subserviens (Antwerp: Christophorus Ruremunden, 1532/3). The annotations comprise the chant ‘Asperges me’ (f. i v), several musical phrases in square and mensural notation (f. 188) and the hymn ‘Intra deserti subteris annis cibium’, written in square notation (f. 188v), as well as marginal additions to rubrics in Latin and English (ff. lxxvi, lxxxvi, lxxxvii...
Scope & Content:
includes: f. i v Psalms: 'Asperges me', written into a printed Sarum Hymnal: after 1532: Lat.f. 188v Hymns: 'Intra deserti subteris', written on the back page of a printed Sarum Hymnal: after 1532: Lat.
Collection Area:
Music Collections
Languages:
English and Latin
Date Range:
after 1532
Extent:
1 item

5. Case.52.b.21.

Reference (shelfmark):
Case.52.b.21.
Title:
FABURDENS AND A TONARY; 16th cent. Added to and bound with a printed Sarum hymnal, Hynorum [sic] cum notis Opusculum ad usum Sarum (Antwerp: per Christophorum Endouiensem impressum [Christopher Reremund], 1528). In addition, simple discant parts have been added in manuscript to several printed hymns in the volume, either in full puncta or with small dots, and small emendations have been made elsewhere. All margins of manuscript portions are cropped. ff. 186-200 have been foliated in pencil i...
Scope & Content:
Hymns: Faburdens to printed hymns: after 1528: Lat. Music: Faburdens and a tonary added to and bound with a printed Sarum hymnal: after 1528: Lat. Music: Faburdens, and other MS additions to a printed Sarum hymnal: after 1528: Lat. includes: f. 199 Hymns: The words to the hymn 'O Albane De...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
16th century
Extent:
1 item

6. Case.95.c.15.

Reference (shelfmark):
Case.95.c.15.
Title:
TWO FRAGMENTS FROM AN ANTIPHONER; 13th cent. Perhaps English. Used in the binding of a printed copy of John Leland’s Genethliacon Illustrissimi Eäduerdi Principis Cambriae (Apud Ioannem Herford, 1543) and other works, owned and annotated by William Lambard, to which they remain joined. The fragments are two strips cut from adjacent portions of the same leaf, and include parts of the chants of the Responsory of Job, for the first Sunday of September: ‘[In omnibus his non peccatur]’, ‘Laudemus...
Scope & Content:
includes: binding strips Liturgies LATIN: Two fragments from an antiphoner: 13th cent.: Lat.
Collection Area:
Music Collections
Languages:
Latin
Date Range:
13th century
Extent:
1 item

7. D.212.c.

Reference (shelfmark):
D.212.c.
Title:
SACRED VOCAL MUSIC; after 1613. Bound after the printed collection of Lodovico Viadana’s Opera omnium sacrorum concertuum (Francofori: apud Nicolaum Steinium, 1613). The tenor part of this printed publication is wanting, and is provided in a MS. copy of the early 20th cent. The bassus generalis part does not include any MS. additions. Cantus, altus, and bassus parts (unless the contrary is stated) of a collection of Motets. Nos. 3-20 are copied from the concerti Ecclesiastici of Jacopo Mori ...
Scope & Content:
includes: ff. 50-9 Music: Jacopo Mori, of Viadana; composer: Sacred vocal music, copied from the concerti Ecclesiastici of of Jacopo Mori: after 1613: Lat: Copies.i, f. 61v; ii, f. 59 N. Hennicey, composer: Concerto, 'Ich freue mich im Herrn': after 1613: Copy.
Collection Area:
Music Collections
Languages:
English and Latin
Date Range:
after 1613
Extent:
1 item

8. G.503.v.

Reference (shelfmark):
G.503.v.
Title:
FANNY PUZZI: ‘Litanie’; Dec. 1880. The composer’s autograph manuscript, with two copies of the printed edition, entitled Benediction Service: Litany (R. Mills & Sons, [c. 1880]). Purchased, Mar. 1975. f. 1 + pp. 3+3. Largest size 302 x 242mm.
Scope & Content:
includes: f. 1 Fanny Puzzi, musician: 'Litanie': 1880: Lat: Autogr.
Collection Area:
Music Collections
Languages:
Latin
Date Range:
Dec 1880
Extent:
1 item

9. H.623.a.

Reference (shelfmark):
H.623.a.
Title:
STANISŁAW MONIUSZKO: ‘Sub tuum praesidium (Pod Twoją obronę) (Śpiew na jeden głos), für Bariton oder Alt Solo mit Begleitung des Streichquintetts oder Orgel, Floete ad libitum’; circa 1875. Latin and Polish. Parts, in ink, in the hand of Josef Bonifaz Frodl (signed, f. 1), who probably made the arrangement. Bound with the printed vocal score (Msze i Śpiewy kóścielne Stanisława Moniuszki, xvi; Warsaw: Ferdynand Hösick, [1873?]). Purchased, 8 Nov. 1893. ff. 8. 328 x 246mm.
Scope & Content:
Prayers and Devotions: StanisLaw Moniuszko, composer: Josef Bonifaz Frodl, flautist: 'Sub tuum praesidium', set for baritone or alto with string quintet by S. Moniuszko, written out, and probably arranged by Josef Bonifaz Frodl: circa 1875: Lat and Polish: Copy.
Collection Area:
Music Collections
Languages:
Latin and Polish
Date Range:
c 1875
Extent:
1 item

10. K.1.c.23.

Reference (shelfmark):
K.1.c.23.
Title:
MOTETS; after 1580. Altus and tenor parts, and in the case of no. xxi the sexta vox also, of motets added in MS. at the end of the three remaining volumes of the printed edition of the Sex vocum cantiones Orlandi di Lassus (Argentorati: Vyriot, 1580). The numbers follow on as if forming a supplement to the collection. Only one of them, however (no. xxv), is to be found among the numerous collections of his works. They are, unless the contrary is stated, for five voices. In the volume contain...
Scope & Content:
Music: Motets: after 1580: Lat. includes: no. xxv Orlando di Lasso, composer: 'Cantate Dominum canticum novum': after 1580: Lat: Copy.
Collection Area:
Music Collections
Languages:
Latin
Date Range:
after 1580
Extent:
1 item