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'The Great Pagoda at Rangoon.' Plate 11 from 'Twelve select Views of the Seat of War. Including Views taken at Rangoon Cachar and Andaman Islands From Sketches taken on the Spot by J. Grierson Esq.' Asiatic Lithographic Press, Calcutta:1825. Artist(s): Billon, Emile Louis (1799-1873), after Grierson, J.G. (fl. 1825)
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'The Great Pagoda at Rangoon.' Plate 11 from 'Twelve select Views of the Seat of War. Including Views taken at Rangoon Cachar and Andaman Islands From Sketches taken on the Spot by J. Grierson Esq.' Asiatic Lithographic Press, Calcutta:1825.. Artist(s): Billon, Emile Louis (1799-1873), after Gr...
'The Great Pagoda within the Area.' Plate 12 from 'Twelve select Views of the Seat of War. Including Views taken at Rangoon Cachar and Andaman Islands From Sketches taken on the Spot by J. Grierson Esq.' Asiatic Lithographic Press, Calcutta:1825. Artist(s): Billon, Emile Louis (1799-1873), after Grierson, J.G. (fl. 1825)
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'The Great Pagoda within the Area.' Plate 12 from 'Twelve select Views of the Seat of War. Including Views taken at Rangoon Cachar and Andaman Islands From Sketches taken on the Spot by J. Grierson Esq.' Asiatic Lithographic Press, Calcutta:1825.. Artist(s): Billon, Emile Louis (1799-1873), aft...
'The fort of Colombo, from the Galle-face esplanade.' Plate 1 from 'Scenery and reminiscences of Ceylon by I. Deschamps Esq.' London:1845.. Artist(s): Giles, John West (fl. mid-19th century), after Deschamps, John (fl. 1845)
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Plate I. The Fort of Colombo, from the Galle-Face Esplanade. The Fort (or, more correctly, the Town and Fort) of Colombo is situated on the west side of the Island, in lat. 7° N., and long. 79° 58' E. of Greenwich. It stands on a rocky point of land, projecting into the sea, from which circumst...
'The ferry-house, at Pantura.' Plate 7 from 'Scenery and reminiscences of Ceylon by I. Deschamps ESQ.' London:1845.. Artist(s): Giles, John West (fl. mid-19th century), after Deschamps, John (fl. 1845)
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PLATE VII. THE FERRY-HOUSE AT PANTURA. The village of Pantura is sixteen miles from Colombo, on the road to Point de Galle, and here is the first ferry over what is commonly called the Pantura river, but which is, in fact, an estuary of the sea. It is about 300 yards broad, and communicates ...
'Buddist temples at Bolgodde.' Plate 8 from 'Scenery and reminiscences of Ceylon by I. Deschamps ESQ.' London:1845.. Artist(s): Giles, John West (fl. mid-19th century), after Deschamps, John (fl. 1845)
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PLATE VIII. BUDDHIST TEMPLES NEAR BOLGODDE. These Temples are distant about three miles from Pantura, on the other side of the ferry, the road winding through beautiful lanes, shaded with a variety of trees, being studded continually with cottages and gardens, and skirted by a thick jungle, ...
Interior of the Palace of Shauh Shujah Ool Moolk, Late King of Cabul. Plate 3 from Lieut. James Rattray's Scenery, Inhabitants, and Costumes of Afghaunistan, lithographed by Day & Son, published by Hering & Remington, London, 1848. Artist(s): Carrick, Robert C. (fl. mid-19th century), after Rattray, James (1818-1854)
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Interior of the Palace of Shauh Shujah Ool Moolk, Late King of Cabul. Plate 3 from Lieut. James Rattray's Scenery, Inhabitants, and Costumes of Afghaunistan, lithographed by Day & Son, published by Hering & Remington, London, 1848.. Artist(s): Carrick, Robert C. (fl. mid-19th century), ...
Kelaut-I-Ghiljie. Plate 8 from Lieut. James Rattray's Scenery, Inhabitants, and Costumes of Afghaunistan, lithographed by Day & Son, published by Hering & Remington, London, 1848. Artist(s): Carrick, Robert C. (fl. mid-19th century), after Rattray, James (1818-1854)
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Kelaut-I-Ghiljie. Plate 8 from Lieut. James Rattray's Scenery, Inhabitants, and Costumes of Afghaunistan, lithographed by Day & Son, published by Hering & Remington, London, 1848.. Artist(s): Carrick, Robert C. (fl. mid-19th century), after Rattray, James (1818-1854)
Mosque and Tomb of the Emperor Soolta Mahmood of Ghuznee. Plate 10 from Lieut. James Rattray's Scenery, Inhabitants, and Costumes of Afghaunistan, lithographed by Day & Son, published by Hering & Remington, London, 1848. Artist(s): Carrick, Robert C. (fl. mid-19th century), after Rattray, James (1818-1854)
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Mosque and Tomb of the Emperor Soolta Mahmood of Ghuznee. Plate 10 from Lieut. James Rattray's Scenery, Inhabitants, and Costumes of Afghaunistan, lithographed by Day & Son, published by Hering & Remington, London, 1848.. Artist(s): Carrick, Robert C. (fl. mid-19th century), after Rattr...
Afghaun Foot Soldiers in their WInter Dress, with entrance to the valley of Urgundeh. Plate 11 from Lieut. James Rattray's Scenery, Inhabitants, and Costumes of Afghaunistan, lithographed by Day & Son, published by Hering & Remington, London, 1848. Artist(s): Carrick, Robert C. (fl. mid-19th century), after Rattray, James (1818-1854)
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Afghaun Foot Soldiers in their WInter Dress, with entrance to the valley of Urgundeh. Plate 11 from Lieut. James Rattray's Scenery, Inhabitants, and Costumes of Afghaunistan, lithographed by Day & Son, published by Hering & Remington, London, 1848.. Artist(s): Carrick, Robert C. (fl. mi...
Fortress of Alimusjid, and the Khybur Pass. Plate 13 from Lieut. James Rattray's Scenery, Inhabitants, and Costumes of Afghaunistan, lithographed by Day & Son, published by Hering & Remington, London, 1848. Artist(s): Walton, W.L. (fl. mid-19th century), after Rattray, James (1818-1854)
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Fortress of Alimusjid, and the Khybur Pass. Plate 13 from Lieut. James Rattray's Scenery, Inhabitants, and Costumes of Afghaunistan, lithographed by Day & Son, published by Hering & Remington, London, 1848.. Artist(s): Walton, W.L. (fl. mid-19th century), after Rattray, James (1818-1854)