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Language Not applicable Subject Dances

111. Mss Eur F191/332(1342)

Reference (shelfmark):
Mss Eur F191/332(1342)
Title:
From Erode: War dance by the second son of the Raja of Chirakkal and one of his pupils. The split (no. 108) could make a ballerina jealous! The swords were sharp and the shields small; the leather of the shields was in tatters. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of war dance by the second son of the Raja of Chirakkal and one of his pupils. The split (no. 108) could make a ballerina jealous! The swords were sharp and the shields small; the leather of the shields was in tatters.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

112. Mss Eur F191/332(1343)

Reference (shelfmark):
Mss Eur F191/332(1343)
Title:
From Erode: War dance by the second son of the Raja of Chirakkal and one of his pupils. The split (no. 108) could make a ballerina jealous! The swords were sharp and the shields small; the leather of the shields was in tatters. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of war dance by the second son of the Raja of Chirakkal and one of his pupils. The split (no. 108) could make a ballerina jealous! The swords were sharp and the shields small; the leather of the shields was in tatters.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

113. Mss Eur F191/332(1344)

Reference (shelfmark):
Mss Eur F191/332(1344)
Title:
From Erode: War dance by the second son of the Raja of Chirakkal and one of his pupils. The split (no. 108) could make a ballerina jealous! The swords were sharp and the shields small; the leather of the shields was in tatters. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of war dance by the second son of the Raja of Chirakkal and one of his pupils. The split (no. 108) could make a ballerina jealous! The swords were sharp and the shields small; the leather of the shields was in tatters.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

114. Mss Eur F191/332(1345)

Reference (shelfmark):
Mss Eur F191/332(1345)
Title:
From Erode: War dance by the second son of the Raja of Chirakkal and one of his pupils. The split (no. 108) could make a ballerina jealous! The swords were sharp and the shields small; the leather of the shields was in tatters. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of war dance by the second son of the Raja of Chirakkal and one of his pupils. The split (no. 108) could make a ballerina jealous! The swords were sharp and the shields small; the leather of the shields was in tatters.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

115. Mss Eur F191/332(1346)

Reference (shelfmark):
Mss Eur F191/332(1346)
Title:
From Erode: War dance by the second son of the Raja of Chirakkal and one of his pupils. The split (no. 108) could make a ballerina jealous! The swords were sharp and the shields small; the leather of the shields was in tatters. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of war dance by the second son of the Raja of Chirakkal and one of his pupils. The split (no. 108) could make a ballerina jealous! The swords were sharp and the shields small; the leather of the shields was in tatters.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

116. Mss Eur F191/332(1359)

Reference (shelfmark):
Mss Eur F191/332(1359)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. 125 is in Napoklu: Coorgis in national costume, ready for a dance. The music and singers in the middle, the dancers in a large circle, men only. The women also used to dance but since about 40 years this became fashion. They have very little consciousness of their national culture, which is a...
Scope & Content:
Genre: Portrait Photography Portrait of Coorgis in national costume, ready for a dance. The music and singers in the middle, the dancers in a large circle, men only. The women also used to dance but since about 40 years this became fashion. They have very little consciousness of their national ...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

117. Mss Eur F191/332(1377)

Reference (shelfmark):
Mss Eur F191/332(1377)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. Yakshagana. What Kathakali is for Malabar is Yakshagana for South Kanara. The subjects are the same: Mahabha...
Scope & Content:
Genre: Portrait Photography Portrait of the yogi, whose part in Yakshagana usually is more or less comic. The other figure is a singularly undignified representation of Krishna. What Kathakali is for Malabar is Yakshagana for South Kanara [Karnataka]. The subjects are the same: Mahabharata, Ram...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

118. Mss Eur F191/332(1378)

Reference (shelfmark):
Mss Eur F191/332(1378)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. Hanuman, who is similar to the Malabar Hanuman. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the Hanuman of Yakshagana, who is similar to the Malabar Hanuman.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

119. Mss Eur F191/332(1379)

Reference (shelfmark):
Mss Eur F191/332(1379)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. Arjuna. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the Arjuna of Yakshagana dance.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

120. Mss Eur F191/332(1380)

Reference (shelfmark):
Mss Eur F191/332(1380)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. Yama, the god of death, and to his right Virorama, Arjuna's opponent. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Group portrait of Yama, the god of death, and to his right Virorama, Arjuna's opponent, taken at Yakshagana dance.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item