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Subject topographical views Level [40] File

101. IO Album 21,2054

Reference (shelfmark):
IO Album 21,2054
Title:
'Sketch in Baghdad'. Copied by a draughtsman in the Quartermaster-General’s Office, Mahabaleshwar, in November 1855, from an original by Jones. Artist(s): Jones, James Felix (1813-1878), after
Scope & Content:
‘Sketch in Baghdad’. 17.8 by 22.5 cm.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

102. IO Album 21,2058

Reference (shelfmark):
IO Album 21,2058
Title:
'View of Sheikh Marf from the North. Baghdad. F.W'. Copied by a draughtsman in the Quartermaster-General’s Office, Mahabaleshwar, in November 1855, from an original by Jones. Artist(s): Jones, James Felix (1813-1878), after
Scope & Content:
‘View of Sheikh Marf from the North. Baghdad. F.W.’ 16.2 by 21.8 cm.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

103. IO Album 39,4096

Reference (shelfmark):
IO Album 39,4096
Title:
'Sketch of the East face of Baghdad on the Tigris on either side of the British Residency. GP'. Copied by a draughtsman in the Quartermaster-General’s Office, Mahabaleshwar, in November 1855, from an original by Jones. Artist(s): Jones, James Felix (1
Scope & Content:
‘Sketch of the East face of Baghdad on the Tigris on either side of the British Residency. GP’. 12 by 22 cm.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

104. IO Album 39,4097

Reference (shelfmark):
IO Album 39,4097
Title:
'General view from the Bridge to the Mehkemeh. Baghdad'. Copied by a draughtsman in the Quartermaster-General’s Office, Mahabaleshwar, in November 1855, from an original by Jones. Artist(s): Jones, James Felix (1813-1878), after
Scope & Content:
‘General view from the Bridge to the Mehkemeh. Baghdad’. 12 by 22 cm.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

105. Mss Eur D148

Reference (shelfmark):
Mss Eur D148
Title:
Vol 1 of Major W.H. Sykes' 'Report on Poona and Ahmednagar Collectorates' containing 5 miscellaneous views and 5 drawings of the outlines of hills. Artist(s): Fidlor, Llewellyn (b. 1804)
Scope & Content:
(Kaye no.386). 5 drawings by Llewellyn Fidlor. Water-colour; 12.75 by 8 ins. Facing p.86 ‘Fort at Seewner from the East, distant 0.5 mile.’ Tents in the foreground. Facing p.118 ‘Palace of the Mankeswur Family at Tembournee.’ Facing p.198 ‘Furrh Baugh, Ahmednuggur.’ Facing p.236 ‘...
Collection Area:
India Office Records and Private Papers
Languages:
Not applicable
Date Range:
c 1829
Extent:
1 Item

106. Mss Eur F21/2

Reference (shelfmark):
Mss Eur F21/2
Title:
Account of the Andaman and Nicobar Islands, containing a map and 14 drawings of views chiefly in Penang, Andaman and Nicobar Islands. 1 and 3 by Frans Balthazar Solvyns. The rest are copies of others' sketches perhaps by Solvyns.. Artist(s): Solvyns, F
Scope & Content:
A map and 14 drawings of views chiefly in Penang, Andaman and Nicobar Islands, from an ‘Account of the Andaman and Nicobar Islands,’ compiled by Captain Alexander Kyd (1754-1826), c.1792. He was the nephew of Robert Kyd (1746-93), founder of the Calcutta Botanical Gardens at Sibpur. Alexander in...
Collection Area:
India Office Records and Private Papers
Languages:
Not applicable
Date Range:
1787-1792
Extent:
1 Item

107. Or 4769, f.5

Reference (shelfmark):
Or 4769, f.5
Title:
Siva,seated on a tiger skin with Parvati beside him, inside a cave in the moutain Kailasa. His bull Nandi rests in front of them beside the river.
Scope & Content:
Siva, three-eyed, white and two armed, wearing a yellow dhoti, a necklace of skulls, snakes, and the moon in his hair, a blue spot on his throat, with the Ganges issuing from his topknot, holding a drum in his right hand, his left resting on his knee, his trident upright beside him, seated on a ...
Collection Area:
Oriental Manuscripts
Languages:
Not applicable
Date Range:
c 1780
Extent:
1 Item

108. Or 4769, f.6

Reference (shelfmark):
Or 4769, f.6
Title:
Siva and Parvati in their cave with Nandi, he with five visible heads, with Bhagiratha standing before them, in ascetic's garb with a rosary.
Scope & Content:
Siva and Parvati in their cave with Nandi, exactly as before, except that he now shows five visible heads (four with their eyes closed in meditation) and is four armed (noose, trident, quoit and drum), with Bhagiratha standing before them, in ascetic’s garb with a rosary. Inscribed in Persian: ...
Collection Area:
Oriental Manuscripts
Languages:
Not applicable
Date Range:
c 1780
Extent:
1 Item

109. P914

Reference (shelfmark):
P914
Title:
Ruins at the ancient city of Gour formerly on the banks of the River Ganges.. Artist(s): Daniell, Thomas (1749-1840)
Scope & Content:
Ruins at the ancient city of Gour formerly on the banks of the River Ganges. No. IV. RUINS AT THE ANCIENT CITY OF GOUR, FORMERLY ON THE BANKS OF THE RIVER GANGES. Of Gour there are accounts so early as three hundred and fifty years before the Christian era; it has been the capital of Bengal t...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1795
Extent:
1 Item

110. P915

Reference (shelfmark):
P915
Title:
Raje Gaut, the principal road up to Rotas Ghur, Bahar.. Artist(s): Daniell, Thomas (1749-1840)
Scope & Content:
Raje Gaut, the principal road up to Rotas Ghur, Bahar. No. V. RAJE GAUT, THE PRINCIPAL ROAD UP TO ROTAS GHUR, BAHAR. Rotas Ghur is the most considerable hill fort in this part of India; it is naturally of great strength, and the weaker parts have been assisted by very strong works. Within th...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1795
Extent:
1 Item

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