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Richard Wagner: Music for ‘Beim Antritt des neuen Jahr 1835’, allegorical festival play in one act by Wilhelm Schmale (WWV 36): autograph draft of Overture and two choral numbers, nos. 3 and 5
Scope & Content:
Autograph. Short (piano) score, and piano vocal score. Written in ink, the Overture on systems of two staves, the vocal numbers on systems of up to five staves. Contents: ff. 1r-2v. Overture; headed (f. 1r) ‘No: 1: Ouverture’. Tempo directions ‘Sostenuto - Allegro assai’ (f. 1r). f. 3r and v. [N...
Richard Wagner: ‘Das Liebesverbot’ or ‘Die Novize von Palermo’ (WWV 38), comic opera in two acts (libretto by the composer, after Shakespeare’s Measure for Measure), 1834-6: incomplete draft of Overture, sketches for nos. 6, 7 and 11, and unidentified sketches
Scope & Content:
Autograph short score. Written mostly in ink on one stave or systems of two staves, partly in pencil (f. 3v), and with annotations in red ink (f. 2r, v). Trial stave rulings in lower margin of f. 1r. The identifiable sketches, using cue numbers from the published full score, are as follows: ff...
Richard Wagner: ‘Das Liebesverbot’: modern transcription of texted passages from Zweig MS 104
Scope & Content:
Comprising sketch for Isabella’s aria from No. 6, Finale to Act I, from Zweig MS 104, ff. 5r, 6v. Written in dark blue ink on single staves and systems of two staves. The hand is the same as that in Zweig MSS 107, ff. 2 - 11, and 111.
Richard Wagner: Overture in C, ‘Polonia’ (WWV 39), 1836: piano reduction, with sketch for song ‘Les adieux de Marie Stuart’ (words J.P. de Béranger) for voice and piano (WWV 61); [early 1840]
Scope & Content:
Autograph. Written in ink on systems of two staves. As follows: ff. 1r-4r. Overture, headed ‘Polonia. Ouverture.’ (f. 1r); tempo directions ‘Sostenuto - Tempo 1mo (f. 1r) - Allegretto - Allo: molto vivace (f. 1v) - Allegretto (f. 3v) - Presto’ (f. 4r). Copying instructions for bars or sections t...
Richard Wagner: Papers and transcriptions relating to Zweig MS 106
Scope & Content:
Written in dark blue or black ink. As follows: f. 1r. Note on Zweig MS 106, and attestation that it is in Wagner’s hand, signed Wilhelm Tappert; 1 Dec. 1889. ff. 2r-6v, 7. Score of Overture, with I and II violins, cello and bass parts only; a shortened [or incomplete] version, apparently sco...
Richard Wagner: Overture in D, ‘Rule Britannia’ (WWV 42): draft of overture with sketches for incidental music to the play Die letzte Heidenverschwörung in Preussen (J. Singer) (WWV 41)
Scope & Content:
Written in ink on systems of two staves. Trial stave rulings on ff. 1v and 2r. Contents as follows: ff. 1r, 2v, 2r (lower half). Overture. Tempo directions (f. 1r) ‘Maestoso moderato - Allegro maestoso’. Incomplete, consisting of bars 1-74 (f. 1r) and 164-256 (f. 2v, 2r lower portion), using b...
Richard Wagner: Overture in D, ‘Rule Britannia’ (WWV 42): full score
Scope & Content:
Written in ink; on systems of 22 staves throughout, with the exception of f. 2r, where the ophicleide part is written separately from the bass trombone, requiring 23 staves. Tempo directions ‘Maestoso e moderato (f. 1r) - Allegro maestoso (f. 4r) - Piu vivace (f. 14v) - Maestoso’ (f. 19v). Heade...
Richard Wagner: Sketches for ‘La tombe dit à la rose’ (WWV 56), ‘Extase’ (WWV 54) and ‘Attente’ (WWV 55), for voice and piano (all to words by Victor Hugo)
Scope & Content:
Autograph. Written in ink on systems of one or two staves. Folio 1r has many trial strokes with a rastrum. As follows: f. 1r. Vocal line and text of ‘La tombe dit à la rose’; written with the page inverted. Interspersed with untexted sketches on a single stave for ‘Attente’, using the page the...
Richard Wagner: Transcriptions of ‘La tombe dit à la rose’ and ‘Extase’ from Zweig MS 110
Scope & Content:
Written in dark blue ink. The hand is the same at that in Zweig MSS 105 and 107, ff. 2-11. As follows: ff. 1r, 2r. Texts of the two poems. f. 3r. Transcription of ‘La tombe dit à la rose’. On systems of three staves, but the accompaniment not filled in. ff. 3v-4v. Transcription of ‘Extase’...
Richard Wagner: ‘Descendons gaiement la courtille’ (text Dumersan?) (WWV 65), chorus for insertion in the vaudeville La descente de la courtille by Marion Dumersan and Dupeutys
Scope & Content:
Autograph. Draft in piano vocal score. Written in ink on systems of two and three staves. Two-part chorus, written on a single stave labelled ‘Choeur.’ against the first system on f. 1r, the other two staves designated ‘Orchestre.’. Indications of orchestration are also given in this system. Tem...
