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Place Gaur, West Bengal, India

1. Add Or 4886

Reference (shelfmark):
Add Or 4886
Title:
View of the Qadam Rasul mosque within the Fort at Gaur. Artist(s): Sita Ram (fl. c.1810-1822)
Scope & Content:
View of the Qadam Rasul mosque within the Fort at Gaur. Inscribed below: ‘Musgid at Gour called Padshahka Musgid.’ 362 by 456 mm. Watercolour of Qadum Rasul mosque at Gaur from 'Views by Seeta Ram from Malda to Gunga Pursaad Vol. II' produced for Lord Moira, afterwards the Marquess of Hasting...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1817
Extent:
1 Item

2. Add Or 4887

Reference (shelfmark):
Add Or 4887
Title:
The interior of the Qadam Rasul mosque enshrining the Prophet's footprint at Gaur. Artist(s): Sita Ram (fl. c.1810-1822)
Scope & Content:
The interior of the Qadam Rasul mosque enshrining the Prophet’s footprint at Gaur. Inscribed below: ‘Kuddum Russool in the Interior of the Musgid.’ 257 by 340 mm. Watercolour of Qadum Rasul mosque at Gaur from 'Views by Seeta Ram from Malda to Gunga Pursaad Vol. II' produced for Lord Moira, a...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1817
Extent:
1 Item

3. Add Or 4888

Reference (shelfmark):
Add Or 4888
Title:
The five storeyed tower at Gaur known as the Pir Asa Minar or Firoz Shah Minar. Artist(s): Sita Ram (fl. c.1810-1822)
Scope & Content:
The five storeyed tower at Gaur known as the Pir Asa Minar or Firoz Shah Minar, with a Palas tree, ‘Butea frondosa,’ in brilliant salmon-pink flower in the foreground. Inscribed below: ‘Minar at Gour and the Pullass Tree or Butea frondosa.’ 362 by 450 mm. Watercolour of the Firuz Minar at Gau...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1817
Extent:
1 Item

4. Add Or 4889

Reference (shelfmark):
Add Or 4889
Title:
The walls of Gaur, with a tank in which elephants are bathing, and Lord Hastings' encampment in the foreground. Artist(s): Sita Ram (fl. c.1810-1822)
Scope & Content:
The walls of Gaur, with a tank in which elephants are bathing, and Lord Hastings’ encampment in the foreground. Inscribed below: ‘Walls of the old Fort at Gour and part of Lord Hastings Camp in front.’ 362 by 452 mm. Watercolour of the walls at Gaurfrom 'Views by Seeta Ram from Malda to Gunga...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1817
Extent:
1 Item

5. Add Or 4890

Reference (shelfmark):
Add Or 4890
Title:
The walls of Gaur, with heaps of bricks lying around. Artist(s): Sita Ram (fl. c.1810-1822)
Scope & Content:
The walls of Gaur, with heaps of bricks lying around. Inscribed below: ‘Another view of the walls of the old Fort at Gour.’ 362 by 455 mm. Watercolour of the walls at Gaur from 'Views by Seeta Ram from Malda to Gunga Pursaad Vol. II' produced for Lord Moira, afterwards the Marquess of Hasting...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1817
Extent:
1 Item

6. Add Or 4891

Reference (shelfmark):
Add Or 4891
Title:
A ruined chattri by a tank looking out to a distant prospect. Artist(s): Sita Ram (fl. c.1810-1822)
Scope & Content:
A ruined chattri by a tank looking out to a distant prospect. Inscribed below: ‘Old Tank at Gour.’ 361 by 456 mm. Watercolour of a ruined chattri from 'Views by Seeta Ram from Malda to Gunga Pursaad Vol. II' produced for Lord Moira, afterwards the Marquess of Hastings, by Sita Ram between 181...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1817
Extent:
1 Item

7. P44

Reference (shelfmark):
P44
Title:
'A Minar at Gour'. Coloured aquatint by Thomas & William Daniell after Thomas Daniell. Part 5, Plate 23 of Oriental Scenery, London, 1799-1808. Artist(s): Daniell, Thomas (1749-1840)
Scope & Content:
'A Minar at Gour'. Coloured aquatint by Thomas & William Daniell after Thomas Daniell. Part 5, Plate 23 of Oriental Scenery, London, 1799-1808.. Artist(s): Daniell, Thomas (1749-1840)
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1799-1808
Extent:
1 Item

8. P101

Reference (shelfmark):
P101
Title:
'Kuddum Russool at Gour, where they show the print of their prophets foot in a piece of while marble'. From 'Views at Gaur', six aquatints by James Moffat after Henry Creighton, published by Moffat in Calcutta 1808. Artist(s): Moffat, James (1775-1815), after Creighton, Henry (c.1767-1807)
Scope & Content:
'Kuddum Russool at Gour, where they show the print of their prophets foot in a piece of while marble'. From 'Views at Gaur', six aquatints by James Moffat after Henry Creighton, published by Moffat in Calcutta 1808.. Artist(s): Moffat, James (1775-1815), after Creighton, Henry (c.1767-1807)
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1808
Extent:
1 Item

9. P102

Reference (shelfmark):
P102
Title:
'Mosque at Peraspore, Gour.' From 'Views at Gaur', six aquatints by James Moffat after Henry Creighton, published by Moffat in Calcutta 1808. Artist(s): Moffat, James (1775-1815), after Creighton, Henry (c.1767-1807)
Scope & Content:
'Mosque at Peruspore, Gour.' From 'Views at Gaur', six aquatints by James Moffat after Henry Creighton, published by Moffat in Calcutta 1808. The ruined city of Gaur is situated on a deserted channel of the Ganges. The date of the foundation of the city is obscure, however its known history comm...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1808
Extent:
1 Item

10. P103

Reference (shelfmark):
P103
Title:
'Cutwally Gate at Gour.' From 'Views at Gaur', six aquatints by James Moffat after Henry Creighton, published by Moffat in Calcutta 1808. Artist(s): Moffat, James (1775-1815), after Creighton, Henry (c.1767-1807)
Scope & Content:
'Cutwally Gate at Gour.' From 'Views at Gaur', six aquatints by James Moffat after Henry Creighton, published by Moffat in Calcutta 1808.. Artist(s): Moffat, James (1775-1815), after Creighton, Henry (c.1767-1807)
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1808
Extent:
1 Item