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Add MS 21926
- Record Id:
- 032-002034392
- Hierarchy Root Ancestor Record Id:
- 032-002034392
- MDARK:
- ark:/81055/vdc_100000000043.0x0002d3
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 21926
- Title:
-
The ‘Grandisson Psalter’
- Scope & Content:
-
Contents:
f. 1r: Fragment of a document in French from the 14th century.
ff. 3r–8v: A calendar with an added note of the appointment of Grandisson as bishop of Exeter (f. 6v) and his death (f. 6r).
ff. 26r–187v: Psalms 1–150; antiphons added in the bottom margin by a slightly later hand, sometimes with music (e.g. ff. 69r, 71v).
ff. 187v–200v: Canticles.
ff. 200v–203r: The Athanasian Creed.
ff. 203r–208r: A litany.
ff. 208v–214v: The office for the Dead; parts of the text have been erased and rewritten in a fourteenth-century hand.
Decoration:
Full-page prefatory miniatures in colours and gold, arranged in two registers per page, with images facing one another and the reverse of the leaf left blank (ff. 9v–25v): Sts Christopher and Margaret (f. 9v); martyrdoms of Sts Catherine and Stephen (f. 10r); martyrdoms of Sts Lawrence and Bartholomew (f. 11v, defaced); martyrdom of Sts Edmund and Edward the Confessor giving the ring to the pilgrim (f. 12r); St Thomas Becket and St Nicholas putting a bag of money into the house of the three poor daughters (f. 13v, effaced); martyrdom of St Peter of Verona and St Francis with birds (f. 14r, effaced); St Eustace wading in a ford, his sons with wild beasts (f. 14v); Annunciation to the shepherds and the Adoration of the Magi (f. 15r); the Presentation of Christ in the temple and the Flight to Egypt (f. 16v); the Baptism of Christ and the disciplines asleep in Gethsemane (f. 17r); the Last Supper and the Betrayal of Christ by Judas (f. 18v); the Flagellation of Christ and the Way of the Cross (f. 19r); the Crucifixion and Harrowing of Hell (f. 20v); the Entombment of Christ and the three Holy Women at the empty tomb (f. 21r); the Resurrection of Christ and the supper at Emmaus (f. 22v); St Thomas touching the side of Christ and Mary Magdalene washing his feet (f. 23r); the Dormition of the Virgin Mary and the Coronation of the Virgin Mary (f. 24v); the Last Judgement (f. 25r); the Tree of Jesse with prophets or evangelists in the corners (f. 25v).
1 full-page miniature in colours and gold preceding Psalm 109, showing creation of Adam, the Temptation of Adam and Eve with a serpent having a woman’s face, Expulsion from Paradise, Cain murdering Abel (f. 150v).
1 full-page historiated initial ‘B’, in colours and gold, showing David fighting Goliath, playing the harp with a woman dancing, being threatened by Saul, and the judgement of Solomon, with animals in the border, busts of prophets, and Synagoga and Ecclesia (f. 26r).
11 large historiated initials in colours and gold: Psalm 26, annointing of David (f. 50r); Psalm 38, pilgrim walking with staff and pointing at his mouth, i.e. referring to ‘Posui ori meo custodiam’ (f. 66v); Psalm 51, Doeg beheading Ahimelech (f. 81r); Psalm 52, fool standing before a man comitting suicide (f. 82r); Psalm 68, Christ blessing between two angels above Jonah coming out of the whale (f. 97v); Psalm 80, Christ blessing between two musicians above another musician set beside Jacob wrestling with the angel (f. 115v); Psalm 97, three clerics singing, a fouth seated, beside a lectern (f. 132v); Psalm 101, woman in a wimple kneeling at an altar and receiving a blessing (f. 135r); Psalm 109, God the Father and God the Son blessing (f. 151r); Canticles, Christ seated, blessing, with a man and woman kneeling (f. 187v); Office of the Dead, a priest with two attendants asperging a shrowded body, with birds holding a candle and bell (f. 208v).
Small roundels in colours and gold in the calendar with labours of the months and signs of the zodiac (ff. 3r–8v).
Initials three lines high opening each section, in colours with gold leaf. The verses of Psalms begin with an enlarged initial alternating between gold (with blue penwork decoration) and blue (with red penwork decoration). Decorated borders with penwork decoration in blue, red, and gold leaf.
Added decoration:
1 drawing with coloured wash of an angel holding the arms of Bishop John Grandisson, added in the 14th century with an ownership inscription (f. 2r).
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Additional Manuscripts
- Hierarchy Tree:
- [{ "id" : "032-002034392", "parent" : "#", "text" : "Add MS 21926: The ‘Grandisson Psalter’" , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-002034392
- Is part of:
- not applicable
- Hierarchy:
- 032-002034392
- Container:
- not applicable
- Record Type (Level):
- Fonds
- Extent:
-
Parchment codex
- Digitised Content:
- http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_21926 (digital images currently unavailable)
- Thumbnail:
-

- Languages:
- Latin
- Scripts:
- Latin
- Start Date:
- 1265
- End Date:
- 1285
- Date Range:
- c 1270-c 1280
- Era:
- CE
- Access:
-
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- User Conditions:
- Letter of introduction required to view this manuscript
- Physical Characteristics:
-
Dimensions: 250 × 160 mm.
Foliation: ff. 216 (+ 1 parchment flyleaf at the beginning, + 2 paper flyleaves at the beginning and end).
Script: Gothic.
Binding: British Museum in-house.
- Custodial History:
-
Origin: England. Morgan, Early Gothic Manuscripts (1988), II, nos. 165/166 suggests an association with Chichester.
Provenance:
Bishop John Grandisson (b. 1292, d. 1369), bishop of Exeter: inscribed, ‘Liber Johannis de Grandissono Episcopi Exoniensis. Consecratus anno domini mcccxxvijº obijt anno 1369º’, with his arms (f. 2r); his obit is also noted, 15 July 1369, with a note stating that he bequeathed the manuscript to Isabella, daughter of Edward III, see below (f. 6r); inscribed ‘J. de G.’, ‘Exon’ (f. 26r). Described in his will as ‘pulchrius psalterium meum’, also stating the donation to Isabella (ed. by Hingeston-Randolph, Register of John de Grandisson (1899), III, p. 1551).
Isabella, Countess of Bedford (b. 1332, d. 1379), the eldest daughter and second surviving child of Edward III and Philippa of Hainault: A note following Grandisson's obit stating that he bequeathed the manuscript to her, ‘Qui istud psalterium legauit nobilissime domine. domine Isabelle filie quondam Regis Anglie Edwardi tercij. et conquestu’ (f. 6r); also included as an item in his will (ed. Hingeston-Randolph, Register of John de Grandisson (1899), III, p. 1551).
Daniel Rock (b. 1799, d. 1871), Roman Catholic priest and ecclesiologist: sold the psalter to the British Museum on 14 March 1857 (note on lower parchment flyleaf).
- Information About Copies:
-
Full digital coverage available for this manuscript: see Digitised Manuscripts, https://bl.uk/manuscripts/.
- Publications:
-
Catalogue of Additions to the Manuscripts in the British Museum 1854–1860 (London: British Museum, 1875), p. 558.
The Register of John de Grandisson, ed. by F.C. Hingeston-Randolph, 5 vols (London: Bell, 1899), III, p. 1551.
Nigel J. Morgan, Early Gothic Manuscripts, Survey of Manuscripts Illuminated in the British Isles, 4, 2 vols (London: Miller, 1988), II, no. 165 (with further bibliography).
- Exhibitions:
- Opus Anglicanum: Masterpieces of English Medieval Embroidery, V&A, London, 1 October 2016 - 5 February 2017
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Names:
- Grandisson, John, alias Grandison, Bishop of Exeter, 1292-1369
- Related Material:
-
From the Catalogue of Additions to the Manuscripts in the British Museum 1854–1860, p. 558:
‘PSALTERIUM cum canticis, etc., kalendario præmisso. Vellum late XIIIth cent.; with richly-ornamented initials and borders in gold and colours, and with numerous miniatures, executed in England. At the beginning is the note, "Liber Johannis de Grandissono Episcopi Exoniensis. Consecratus anno Domini MCCCXXVIJo, obijt anno 1369o ," with the Bishop's arms; and on f. 6 is the "obiit" of the same, 15 July, with the addition, "qui istud psalterium legauit nobilissime domine domine Isabelle filie quondam Regis Anglie Edwardi tereii." The inscription "J. de G." occurs at f. 26. Quarto.’