FREDERIC DELIUS ‘The Song of the High Hills’. Piano [rehearsal] part for use with chorus score. Copy, partly printed; n.d. The passages with chorus only (with occasional introductory and succeding bars). Comprising the printed chorus parts pasted to music paper with the piano reduction sdded i...
Elgar: The Dream of Gerontius, op. 38. Printed vocal score (Novello edition). Signed by Elgar and the conductor and soloists at the first performance, 1900.
GUSTAV ERNEST Dramatic Overture; 1885. Autograph. Composer identified in ink by the motto ‘Fortune! all men call thee fickle’, from Romeo and Juliet. ff. i+31. 345 x 270mm. Gustav Ernest, composer: Dramatic overture by Gustav Ernest: 1885: Autogr.
FRANÇOIS FÉMY Symphony in E minor; n.d. (wm 1813). Autograph. ff. iii+19. 287 x 235mm. Royal Philharmonic Society: François Fémy, composer: Symphony in E minor by François Fémy, composed for the Philharmonic Society: n.d.: Autogr.
FRIEDRICH ERNST FESCA Overture ‘Cantemire’, op. 19. English copy; 1845. ff. ii+18 241 x 290mm. Friedrich Ernst Fesca, composer: 'Cantemire', overture by Friedrich Ernst Fesca: 1845: Copy.
Overture ‘L’Innocenza’. Copy [not English?]; n.d. ff. ii+10 288[?**] x 236mm. Christoph Willibald von Gluck, composer: Overture 'L'innocenza' by Christoph Willibald von Gluck: n.d.: Copy.
Symphony no. 2 in E flat, op. 23; 1832. Copy with autograph annotations. ff. i+88 238 x 300mm. John Henry Griesbach, composer: Symphony no.2 in E flat by John Henry Griesbach: 1832: Copy with autogr. annotations.