Mainly internal correspondence of 1963 relating to the editing, production and publication of Igor Stravinsky's works. This file was originally entitled 'Stravinsky – Production – 1963' and held in a packet marked 'DR. ROTH – IGOR STRAVINSKY – 1962/1963-1964'.
Material relating to the fiftieth-anniversary performance of Igor Stravinsky's 'The Rite of Spring' at the Royal Albert Hall on 29 May 1963: a copy of Percy Cater's illustrated review in the Daily Mail (30 May 1963), a photographic print of the illustration (a photograph by L. Joseph of Igor Str...
General administrative correspondence and papers, mainly of 1964, relating to or involving Igor Stravinsky: Dr. Ernst Roth's files. All sub-files of this file were held in a packet named 'DR. ROTH – IGOR STRAVINSKY – 1962/1963-1964'.
Collection Area:
Music Collections
Languages:
English, French, German, Italian, Polish, and Russian
Papers or correspondence mainly of 1964 relating to or involving Igor Stravinsky. With copy of article by Robert Craft, 'Stravinsky talks to Khrushchev', in 'Vogue' magazine (1 November 1963), and copy of photograph of Stravinsky with Mstislav Rostropovich. The first of seven parts. This file...
Igor Stravinsky: General files (Rufina Ampenoff), 1965–1968
Scope & Content:
General administrative correspondence and papers involving or relating to Igor Stravinsky or to the publication or performance of his music. These files were created and accumulated by Rufina Ampenoff, Stravinsky's main contact at Boosey & Hawkes in London. The equivalent files for the yea...
Collection Area:
Music Collections
Languages:
Church Slavic, English, French, German, Italian, Latin, Polish, Russian, Russian, and Spanish
Papers and correspondence involving or relating to Igor Stravinsky. With summary of Stravinsky's account at 31 December 1964, and announcement of concert 'Homage to T. S. Eliot' (13 June 1965, Globe Theatre, Shaftesbury Avenue, London) with its première performance of Igor Stravinsky's 'Introit...
Stravinsky — Rufina Ampenoff's files — general correspondence of 1966 to, from or relating to Igor Stravinsky. Other correspondents include Lillian Libman, Milène Marion, and Milko Kelemen of the Musik-Biennale Zagreb. The second of five parts.