(1-6.) ROYAL MUSIC COLLECTION. Instrumental music; 18th century. Paper. 1. 13 ff. Festing (Michael Christian): 2 Concertos. Separate parts for two concertos, the first in G major for 2 violins, viola, cello, bass and oboe, with the second concerto in F major for the same with a second oboe als...
ROYAL MUSIC COLLECTION. Locke (Matthew). Macbeth; early 18th century. Incidental music to Macbeth, consisting of the witches’ songs and dances only, preceded by an opening symphony. The words are from Middleton’s ‘The Witch’. For solo voices and chorus; with oboes, strings and a bass (which shou...
(1-6.) ROYAL MUSIC COLLECTION. Theatre music; 18th century. Paper. 1. 6, 6, 7, 5, 5, 6 ff. Locke (Matthew): Macbeth. Six separate parts for 1st Witch (2 copies), Hecate, 2 violins and cello only, of the incidental music to the play. In the hand of ‘E.R. Simpson’. 2. 1, 1, 1 ff. Anon: Coronati...
(1-3.) ROYAL MUSIC COLLECTION. Theatre music; 18th century. Paper. 1. 12 ff. Anon: Damon and Phillida. Songs to the play, voice parts; with bass only, in score. [For an identical copy see R.M.21.c.45.(1.)]. 2. 12 ff. Anon: The Devil to Pay. Songs in the ballad opera; with bass only, in score....
(1-3.) ROYAL MUSIC COLLECTION. Theatre music; 18th century. Paper. 1. 12 ff. Anon: Damon and Phillida. Songs to the play; voice parts with a bass only, in score. [For an identical copy see R.M.21.c.44.(1.)]. 2. 12 ff. Anon: The Devil to Pay. Songs in the ballad opera; with bass only, in score...
ROYAL MUSIC COLLECTION. Arne (Thomas Augustine). Theodosius; 18th century. The full score of the incidental music to the play, for 4 solo voices, oboes, trumpets, horns, timpani and strings, with a figured bass for harpsichord. Paper. ff. 23. Thomas Augustine Arne, composer: 'Theodosius', scor...
ROYAL MUSIC COLLECTION. Anon. Air and Variations; late 18th century. Theme, probably a French chanson, with variations, for 2 violins, bass, 2 oboes and 2 horns. Separate parts only. Paper. ff. 7.
ROYAL MUSIC COLLECTION. Anon. Violin concertos; 18th century. 2 violin concertos, the first (numbered ‘59’) in score, with separate principal violin part, and the second (numbered ‘30’) in separate parts only. In the same hand throughout. Paper. ff. 60. 1. ff. 1-29. No. 1 in A major; for solo ...