ROYAL MUSIC COLLECTION. Leo (Leonardo). Kyrie Eleison; 18th century. Kyrie and Gloria for 5 voices; with symphonies and accompaniment for horns, oboes, trumpets and strings, and an unfigured bass, in score. Paper. ff. 58. Leonardo Leo, composer: Vocal music: 18th cent: Ital, Lat: Copies.
ROYAL MUSIC COLLECTION. Sabbatini (Nicolo). Messa; 18th century. Kyrie and Gloria only, for 5 voices; with symphonies and accompaniment for oboes, horns, trumpets and strings, and an unfigured bass, in score. Paper. ff. 59. Nicolo Sabbatini, composer: Vocal music: 18th cent: Ital, Lat: Copies.
ROYAL MUSIC COLLECTION. Grossi (Carlo). Moderne Melodie a Voce Sola; 18th century. ‘Con due tre quatro (sic) e cinque Stromenti, e Partitura per l’Organo’. A later scored copy of the 10 sacred songs printed in separate parts under the above title in 1680. Paper. ff. 104. Carlo Grossi, compose...
ROYAL MUSIC COLLECTION. Cordicelli (Giovanni). Confitebor; 18th century. ‘A Alto solo con Ripieni Violini Corni e Basso’. Motet for solo and 4-part chorus; with symphonies and accompaniment for instruments, and unfigured bass. Paper. ff. 45. Giovanni Cordicelli, composer: 'Confitebor', motet: ...
ROYAL MUSIC COLLECTION. Aresta ( ). Messa; 18th century. Kyrie and Gloria only, for 4 voices; with symphonies and accompaniments for strings, and a figured bass, in score. Paper. ff. 36. Aresta, composer: 'Messa': 18th cent: Lat: Copy?.
ROYAL MUSIC COLLECTION. Pergolesi (Giovanni Battista). Stabat Mater; 18th century. For soprano and alto voices; with symphonies and accompaniment for strings, and a figured bass for organ, in score. On f. 1. is written in a different hand ‘Portato da Roma nel anno 1738’. [For another contemporar...
(1-3.). ROYAL MUSIC COLLECTION. Pergolesi (Giovanni Battista). Sacred music: 18th century. Paper. 1. 106 ff. Messa. ‘A Cinque voci Concertata, Due Canti, Alto, Tenore, e Basso, Con Violini, Viola, Oboe, Corni, Organo e Bassi …’. The organ part is figured. The Kyrie and Gloria only, in score. [...
Royal Music Collection. Anon. Have mercy upon me, O God; 18th century. Anthem in C minor for solo voices and 4-part chorus; with symphonies and accompaniment for oboes, horns, bassoons and strings, and an unfigured bass, in score. The final chorus also uses trumpets and drums. Paper. ff. 112.
ROYAL MUSIC COLLECTION. Anon. Have mercy upon me, O God; 18th century. Anthem in C minor for solo voices and two 4-part chorus; with symphonies and accompaniment for oboes, horns, bassoons and strings, and a bass for organ, in score. The concluding chorus also uses trumpets and drums. Paper. ff...
ROYAL MUSIC COLLECTION. Astorga (Emanuele D’), Baron. Stabat Mater; 18th century. Setting for solo voices and 4-part chorus; with symphonies and accompaniment for strings and figured bass for organ, in score. [For other copies see R.M.22.a.7. and R.M.22.a.8.(2.)]. Paper. ff. 40. Baron Emanuele...