Vol. II. ff. 69. Before A.D. 1533. Masses for each day of the week, in parts, by Nicolas Ludford. Passim. Offertoria, etc., introduced in some Masses for each day of the week, in parts, by Nicolas Ludford. The seven in this volume are sequences, following the Alleluia cum versibus, and are ins...
Vol. III. ff. 68. Before A.D. 1533. Masses for each day of the week, in parts, by Nicolas Ludford. Passim. Offertoria, etc., introduced in some Masses for each day of the week, in parts, by Nicolas Ludford. The seven in this volume are sequences, following the Alleluia cum versibus, and are in...
Vol. IV. ff. 27. Before A.D. 1533. passim Offertoria, etc., introduced in some Masses for each day of the week, inparts, by Nicolas Ludford. The first seven are sequences, following the Alleluia cum versibus, and are inserted before the ‘Credo.’ They appear to be for tenor, contra-tenor, treble...
Motets, and Madrigals, in parts, many composed by Derick Gerarde, as well as other authors, including: Jacobus Clemens Thomas Créquillon, N Gombert, Noe Truie, Havericq, N. de Wismes, Latfeur, Morel, Paon, and Phinot.
Scope & Content:
Vol. I. ff. 24. Late XVI cent. passim Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand of Derick Gerarde. Unless the contrary is stated, they are for 6 voices, the six volumes containing respectively 1st and 2nd superius, contra-tenor, tenor, and 1st and 2nd bassus. Where the...
Motets, and Madrigals, in parts, many composed by Derick Gerarde, as well as other authors, including: Jacobus Clemens Thomas Créquillon, N Gombert, Noe Truie, Havericq, N. de Wismes, Latfeur, Morel, Paon, and Phinot.
Scope & Content:
Vol. II. ff. 24. Late XVI cent. passim Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand of Derick Gerarde. Unless the contrary is stated, they are for 6 voices, the six volumes containing respectively 1st and 2nd superius, contra-tenor, tenor, and 1st and 2nd bassus. Where th...
Motets, and Madrigals, in parts, many composed by Derick Gerarde, as well as other authors, including: Jacobus Clemens Thomas Créquillon, N Gombert, Noe Truie, Havericq, N. de Wismes, Latfeur, Morel, Paon, and Phinot.
Scope & Content:
Vol. III. ff. 24. Late XVI cent. passim Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand of Derick Gerarde. Unless the contrary is stated, they are for 6 voices, the six volumes containing respectively 1st and 2nd superius, contra-tenor, tenor, and 1st and 2nd bassus. Where t...
Motets, and Madrigals, in parts, many composed by Derick Gerarde, as well as other authors, including: Jacobus Clemens Thomas Créquillon, N Gombert, Noe Truie, Havericq, N. de Wismes, Latfeur, Morel, Paon, and Phinot.
Scope & Content:
Vol. IV. ff. 23. Late XVI cent. passim Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand of Derick Gerarde. Unless the contrary is stated, they are for 6 voices, the six volumes containing respectively 1st and 2nd superius, contra-tenor, tenor, and 1st and 2nd bassus. Where th...
Motets, and Madrigals, in parts, many composed by Derick Gerarde, as well as other authors, including: Jacobus Clemens Thomas Créquillon, N Gombert, Noe Truie, Havericq, N. de Wismes, Latfeur, Morel, Paon, and Phinot.
Scope & Content:
Vol. V. ff. 23. Late XVI cent. passim Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand of Derick Gerarde. Unless the contrary is stated, they are for 6 voices, the six volumes containing respectively 1st and 2nd superius, contra-tenor, tenor, and 1st and 2nd bassus. Where the...
Motets, and Madrigals, in parts, many composed by Derick Gerarde, as well as other authors, including: Jacobus Clemens Thomas Créquillon, N Gombert, Noe Truie, Havericq, N. de Wismes, Latfeur, Morel, Paon, and Phinot.
Scope & Content:
Vol. VI. ff. 23. Late XVI cent. passim Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand of Derick Gerarde. Unless the contrary is stated, they are for 6 voices, the six volumes containing respectively 1st and 2nd superius, contra-tenor, tenor, and 1st and 2nd bassus. Where th...
16th century compositions for organ, by anonymous authors
Scope & Content:
Organ pieces, written on double staves of 6 or 7 lines each, apparently in England. Anonymous. 1. 'Felix namque.' f. 1b. 2. 'Non expecto.' f. 6b. 3. 'Beata viscera.' f. 7. 4-6. Three pieces without titles. ff. 12b, 13b, 14b. 7. 'Kirie,' 'Christe,' and 'Miserere'; probably from a Mass. ...