ROYAL MUSIC COLLECTION. Steffani (Agostino). La Liberta Contenta; 17th century, 18th century. ‘Drama Per Musica Nel Teatro d’Hannover 1693 …’. Incomplete, and mainly in short score, with bass only. ff. 47-48 (reversing the volume) is an aria, apparently detached, ‘Vo sugl’occhi’, with bass accom...
R.M.23.h.19-21. ROYAL MUSIC COLLECTION. Steffani (Agostino). La Liberta Contenta; 17th century, 18th century. Autograph. ‘Drama Per Musica Nel Teatro d’Hannover 1693 …’, in three acts with an overture; with woodwind and strings, in score. [For contemporary copies see R.M.23.h.16., R.M.23.h.17. and R.M.23.h.18.]. Paper. Three volumes.
ROYAL MUSIC COLLECTION. Steffani (Agostino). I Trionfi del Fato o Le Glorie d’Enea; 17th century, 18th century. ‘Drama da recitarsi nel Theatro Elettorale d’Hannover 1695’, in 3 acts with an overture; with woodwind and strings, in score. There is a table of the vocal numbers at the end of the bo...
ROYAL MUSIC COLLECTION. Steffani (Agostino). (Alcibiade ou I Trionfi del Fato; 17th century, 18th century. In 3 acts with an overture; with woodwind and strings, in score. [For the autograph see R.M.23.i.3-5. and for another contemporary copy R.M.23.i.1.]. Paper. ff. 112. Agostino Steffani, co...
R.M.23.i.3-5. ROYAL MUSIC COLLECTION. Steffani (Agostino). I Trionfi del Fato o Le Glorie d’Enea; 17th century, 18th century. Autograph, much corrected and with the scenes numbered in confusion, but practically complete. In 3 acts with an overture; with woodwind and strings, in score. [For contemporary copies see R.M.23.i.1. and R.M.23.i.2.]. Paper. Three volumes.
