Motets, and Madrigals, in parts, many composed by Derick Gerarde, as well as other authors, including: Jacobus Clemens Thomas Créquillon, N Gombert, Noe Truie, Havericq, N. de Wismes, Latfeur, Morel, Paon, and Phinot.
Scope & Content:
passim Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand of Derick Gerarde. Unless the contrary is stated, they are for 6 voices, the six volumes containing respectively 1st and 2nd superius, contra-tenor, tenor, and 1st and 2nd bassus. Where they are for more than 6 voices, th...
Motets, and Madrigals, in parts, many composed by Derick Gerarde, as well as other authors, including: Jacobus Clemens Thomas Créquillon, N Gombert, Noe Truie, Havericq, N. de Wismes, Latfeur, Morel, Paon, and Phinot.
Scope & Content:
Vol. II. ff. 24. Late XVI cent. passim Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand of Derick Gerarde. Unless the contrary is stated, they are for 6 voices, the six volumes containing respectively 1st and 2nd superius, contra-tenor, tenor, and 1st and 2nd bassus. Where th...
Motets, and Madrigals, in parts, many composed by Derick Gerarde, as well as other authors, including: Jacobus Clemens Thomas Créquillon, N Gombert, Noe Truie, Havericq, N. de Wismes, Latfeur, Morel, Paon, and Phinot.
Scope & Content:
Vol. III. ff. 24. Late XVI cent. passim Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand of Derick Gerarde. Unless the contrary is stated, they are for 6 voices, the six volumes containing respectively 1st and 2nd superius, contra-tenor, tenor, and 1st and 2nd bassus. Where t...
Motets, and Madrigals, in parts, many composed by Derick Gerarde, as well as other authors, including: Jacobus Clemens Thomas Créquillon, N Gombert, Noe Truie, Havericq, N. de Wismes, Latfeur, Morel, Paon, and Phinot.
Scope & Content:
Vol. IV. ff. 23. Late XVI cent. passim Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand of Derick Gerarde. Unless the contrary is stated, they are for 6 voices, the six volumes containing respectively 1st and 2nd superius, contra-tenor, tenor, and 1st and 2nd bassus. Where th...
Motets, and Madrigals, in parts, many composed by Derick Gerarde, as well as other authors, including: Jacobus Clemens Thomas Créquillon, N Gombert, Noe Truie, Havericq, N. de Wismes, Latfeur, Morel, Paon, and Phinot.
Scope & Content:
Vol. V. ff. 23. Late XVI cent. passim Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand of Derick Gerarde. Unless the contrary is stated, they are for 6 voices, the six volumes containing respectively 1st and 2nd superius, contra-tenor, tenor, and 1st and 2nd bassus. Where the...
Motets, and Madrigals, in parts, many composed by Derick Gerarde, as well as other authors, including: Jacobus Clemens Thomas Créquillon, N Gombert, Noe Truie, Havericq, N. de Wismes, Latfeur, Morel, Paon, and Phinot.
Scope & Content:
Vol. VI. ff. 23. Late XVI cent. passim Motets for 6, 7, 8, and 10 voices, in parts, apparently in the hand of Derick Gerarde. Unless the contrary is stated, they are for 6 voices, the six volumes containing respectively 1st and 2nd superius, contra-tenor, tenor, and 1st and 2nd bassus. Where th...
16th century compositions for organ, by anonymous authors
Scope & Content:
Organ pieces, written on double staves of 6 or 7 lines each, apparently in England. Anonymous. 1. 'Felix namque.' f. 1b. 2. 'Non expecto.' f. 6b. 3. 'Beata viscera.' f. 7. 4-6. Three pieces without titles. ff. 12b, 13b, 14b. 7. 'Kirie,' 'Christe,' and 'Miserere'; probably from a Mass. ...
Collection of English vocal compositions, predominantly by anonymous authors.
Scope & Content:
Vocal compositions: one part only (except in no. 27), chiefly tenor. Unless the contrary is stated, they are anonymous. 1. 'A[h], the syghes that come fro my hert.' By W. Cornish. f. 1. 2. 'Though that she cannot Redresse.' f. 3b. 3. 'Colle to me the Rysshes greene.' f. 4. 4. 'Down bery down': a...
'GALLYARDESS and Neapolytans songes of 3 and 4 partes' (title at end of vol. IV), by anonymous composers. Four volumes, the first part of each volume containing the dances (written for 4 strings), and the second part the Neapolitan Canzoni or Madrigals (with one exception for 3 voices). See Cat. of Music, ii, p. 1315; iii, p. 202. Paper; ff. 44, 27, 43, 44. 8 in. x 53/4 in. XVI cent. Original dark leather binding (called blue in the Lumley cat.) with gilt tooling (see Weale, Bookbindings in...
