" SALVE, Regina," in full score, by Pietro Persichini. Paper; fF. 64. Circ. 1800. Ob]. Folio. Pietro Persicchini: Salve Regina, composed by: circ. 1800.
THREE serenatas, called "cantatas," in score, by Charles Wesley; the words taken from Shenstone and Gay. Autograph. Paper; ff. 47. Circ. 1800. Obl. Folio. Charles Wesley: Serenatas: circ. 1800.: Autogr.
ANTHEMS, in full score, by Charles Wesley, viz. :-" Lord, thou art become gracious." f. 1 ;-" God is our hope "; Jan. 1789. f. 27;-" O sing unto the Lord"; London, 13 Aug. 1799. f. 58;- "Bring unto the Lord"; 1810. f. 86;-" Thou hast girded me with strength "; 1 Mar. 1797. f. 101 ;-" I will lif...
Collection of Venetian and other variously styled ' Canzonette,' 'Canzoncine,' or ' Cavatine,' with a guitar, and pianoforte accompaniments, in score, by various early 19th century composers.
VENETIAN canzonets, with pianoforte accompaniment, by M. Bevilacqua, A. Zifra, G. B. Scharmann, G. B. Peruchini, J. S. Maÿr, Vittorio Trento, H. Widmann, - Murray, and others unnamed. Two volumes. Paper; ff. 80, 65. Circ. 1800. Obl. Folio.
Scope & Content:
Johann Simon Mayr, composer: Canzonets: circ. 1800. Music: Venetian canzonets: circ. 1800.
Collection of Venetian and other variously styled ' Canzonette,' 'Canzoncine,' or ' Cavatine,' with a guitar, and pianoforte accompaniments, in score, by various early 19th century composers.
ARIETTAS and duettinos, chiefly Neapolitan, with pianoforte and guitar accompaniment. At the end are six tarantels and ballets for pianoforte. Paper; ff. 79. Circ. 1800. Obl. Octavo. Music: Neapolitan ariettas: circ. 1800.