'The Principal approach to the Great Dagon Pagoda at Rangoon.' Plate 3 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Fielding, Theodore Henry Adolphus (1781-1851), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Principal approach to the Great Dagon Pagoda at Rangoon.' Plate 3 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Fielding, Theodore Henry Adolphus (1781-1851), after Moore, Joseph (fl. 1820s)
'View of the great Dagon Pagoda at Rangoon and Scenery adjacent to the westward of the Great Road.' Plate 4 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
Scope & Content:
'View of the great Dagon Pagoda at Rangoon and Scenery adjacent to the westward of the Great Road.' Plate 4 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
'Scene upon the terrace of the Great Dagon Pagoda at Rangoon looking towards the north.' Plate 5 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Scene upon the terrace of the Great Dagon Pagoda at Rangoon looking towards the north.' Plate 5 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'The Attack upon the Stockades near Rangoon by Sir Archibald Chmpbell, K.C.B. on the 28th of May 1824.' Plate 6 from 'Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Attack upon the Stockades near Rangoon by Sir Archibald Chmpbell, K.C.B. on the 28th of May 1824.' Plate 6 from 'Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'The Gold Temple of the principle Idol Guadma, taken from its front being the Eastern face of the Great Dagon Pagoda at Rangoon.' Plate 7 from Moore's [Views in the Birman Empire]. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Gold Temple of the principle Idol Guadma, taken from its front being the Eastern face of the Great Dagon Pagoda at Rangoon.' Plate 7 from Moore's [Views in the Birman Empire].. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'Inside view of the Golden Temple on the terrace of the Great Dagon Pagoda at Rangoon.' Plate 8 from from Moore's [Views in the Birman Empire]. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Inside view of the Golden Temple on the terrace of the Great Dagon Pagoda at Rangoon.' Plate 8 from from Moore's [Views in the Birman Empire].. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'Scene from tthe upper terrace of the Great Pagoda at Rangoon, to the South East.' Plate 9 from from Moore's [Views in the Birman Empire]. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Scene from tthe upper terrace of the Great Pagoda at Rangoon, to the South East.' Plate 9 from from Moore's [Views in the Birman Empire].. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
'The Storming of the Lefser Stockade at Kemmendine near Rangoon on the 10th of June 1824.' Plate 10 from from Moore's [Views in the Birman Empire]. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Storming of the Lefser Stockade at Kemmendine near Rangoon on the 10th of June 1824.' Plate 10 from from Moore's [Views in the Birman Empire].. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'View of the lake and pair of Eastern Road from Rangoon. Taken from the advance of the 7th Madras Native Infantry.' Plate 11 from from Moore's [Views in the Birman Empire]. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
Scope & Content:
'View of the lake and pair of Eastern Road from Rangoon. Taken from the advance of the 7th Madras Native Infantry.' Plate 11 from from Moore's [Views in the Birman Empire].. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
'Rangoon. The position of part of the army previous to attacking the stockafes on the 8th of July 1824.' Plate 12 from from Moore's [Views in the Birman Empire]. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Rangoon. The position of part of the army previous to attacking the stockafes on the 8th of July 1824.' Plate 12 from from Moore's [Views in the Birman Empire].. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)