'Country to the Northward from Nowagurh Teeba'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 2 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
Scope & Content:
'Country to the Northward from Nowagurh Teeba'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 2 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'View of the Country from Urshalun Teeba'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 3 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
Scope & Content:
'View of the Country from Urshalun Teeba'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 3 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'The Ridge and Fort of Jytock'. Coloured aquatint by Robert Havell and son, after J. B. Fraser. Plate 4 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
Scope & Content:
'The Ridge and Fort of Jytock'. Coloured aquatint by Robert Havell and son, after J. B. Fraser. Plate 4 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'The town of Rampore'. Coloured aquatint by Robert Havell and son, after J. B. Fraser. Plate 5 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
Scope & Content:
'The town of Rampore'. Coloured aquatint by Robert Havell and son, after J. B. Fraser. Plate 5 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'House of Rana of Cote Gooroo'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 6 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
Scope & Content:
'House of Rana of Cote Gooroo'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 6 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'Bheem Ke Udar'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 7 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
Scope & Content:
'Bheem Ke Udar'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 7 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'The valley of the Jumna with two grand peaks of Bunderpooch'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 8 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
Scope & Content:
'The valley of the Jumna with two grand peaks of Bunderpooch'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 8 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (...
'Fort of Raeengurh'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 9 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
Scope & Content:
'Fort of Raeengurh'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 9 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'Crossing the Touse'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 10 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
Scope & Content:
'Crossing the Touse'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 10 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'Gangotri, the holy shrine of Mahadeo'. Coloured aquatint by Robert Havell and son, after J. B. Fraser. Plate 11 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
Scope & Content:
'Gangotri, the holy shrine of Mahadeo'. Coloured aquatint by Robert Havell and son, after J. B. Fraser. Plate 11 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)