'Allipore Bridge.' Plate 28 from William Wood's 'A series of twenty-eight panoramic views of Calcutta'.. Artist(s): Wood, William (fl. 1827-1833)
Scope & Content:
‘Allipore Bridge. From nature etc. London, Published by W. Wood, No. 428 Strand. Printed by Engelmann, Graf & Coindet Lithographers to His Majesty, 14 Newman Street.’
'The Harbour of port Cornwallis. Island of Great Andaman with the fleet getting under weigh Rangoon.' Plate 1 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Harbour of port Cornwallis. Island of Great Andaman with the fleet getting under weigh Rangoon.' Plate 1 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'View of the landing at Rangoon of part of the Combind forces from Bengal and Madras. Under the order of Sir ArchD. Champbell, K.C.B on the 11th of May 1824.' Plate 2 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
Scope & Content:
'View of the landing at Rangoon of part of the Combind forces from Bengal and Madras. Under the order of Sir ArchD. Champbell, K.C.B on the 11th of May 1824.' Plate 2 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Pyall, Henry (1795-1833), after Moor...
'The Principal approach to the Great Dagon Pagoda at Rangoon.' Plate 3 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Fielding, Theodore Henry Adolphus (1781-1851), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Principal approach to the Great Dagon Pagoda at Rangoon.' Plate 3 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Fielding, Theodore Henry Adolphus (1781-1851), after Moore, Joseph (fl. 1820s)
'View of the great Dagon Pagoda at Rangoon and Scenery adjacent to the westward of the Great Road.' Plate 4 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
Scope & Content:
'View of the great Dagon Pagoda at Rangoon and Scenery adjacent to the westward of the Great Road.' Plate 4 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
'Scene upon the terrace of the Great Dagon Pagoda at Rangoon looking towards the north.' Plate 5 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Scene upon the terrace of the Great Dagon Pagoda at Rangoon looking towards the north.' Plate 5 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'The Attack upon the Stockades near Rangoon by Sir Archibald Chmpbell, K.C.B. on the 28th of May 1824.' Plate 6 from 'Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Attack upon the Stockades near Rangoon by Sir Archibald Chmpbell, K.C.B. on the 28th of May 1824.' Plate 6 from 'Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'The Gold Temple of the principle Idol Guadma, taken from its front being the Eastern face of the Great Dagon Pagoda at Rangoon.' Plate 7 from Moore's [Views in the Birman Empire]. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Gold Temple of the principle Idol Guadma, taken from its front being the Eastern face of the Great Dagon Pagoda at Rangoon.' Plate 7 from Moore's [Views in the Birman Empire].. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'Inside view of the Golden Temple on the terrace of the Great Dagon Pagoda at Rangoon.' Plate 8 from from Moore's [Views in the Birman Empire]. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Inside view of the Golden Temple on the terrace of the Great Dagon Pagoda at Rangoon.' Plate 8 from from Moore's [Views in the Birman Empire].. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
'Scene from tthe upper terrace of the Great Pagoda at Rangoon, to the South East.' Plate 9 from from Moore's [Views in the Birman Empire]. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Scene from tthe upper terrace of the Great Pagoda at Rangoon, to the South East.' Plate 9 from from Moore's [Views in the Birman Empire].. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)