Search

Collection Area Visual Arts Level [40] File

1. Add MS 73371 B

Reference (shelfmark):
Add MS 73371 B
Title:
Scope & Content:
G. K. CHESTERTON PAPERS. VOL. CLXXXVI B. Portrait in oils of G. K. Chesterton as a child aged six by Attilio Baccani; [1881]. Published in Ward, Gilbert Keith Chesterton. Presented by the Trustees of the Estate of Dorothy Collins. 732 x 645mm. Attilio Baccani, Italian artist: Portrait in oils ...
Collection Area:
Visual Arts
Languages:
English
Date Range:
[1881]
Extent:
1 item

2. Add Or 1

Reference (shelfmark):
Add Or 1
Title:
Mahadaji Sindhia entertaining a British naval officer and a young British military officer to a nautch
Scope & Content:
Mahadaji Sindhia (ruled 1782-94) entertaining a British naval officer and a young British military officer to a nautch in his house at Delhi. Note: A similar portrait of Sindhia inscribed with Sindhia’s name is in Bharat Kala Bhawan, Benares. See also the portrait by, James Wales, F826. This p...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1820
Extent:
1 Item

3. Add Or 2

Reference (shelfmark):
Add Or 2
Title:
Sir David Ochterlony in Indian dress and smoking a hookah and watching a nautch in his house in Delhi.
Scope & Content:
A European, probably Sir David Ochterlony (1758-1825), in Indian dress, smoking a hookah and watching a nautch in his house at Delhi. Note: Although this painting is not inscribed, the central figure strikingly resembles other portraits of Ochterlony, e.g. a water-colour in the Red Fort Museum,...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1820
Extent:
1 Item

4. Add Or 4

Reference (shelfmark):
Add Or 4
Title:
Gauri Ragini
Scope & Content:
Gauri Ragini. A lady is seated alone on a hillock near a lake at sundown. Inscribed in Urdu: ‘ragini gauri malkosh ki (Gauri Ragini’ of’ Malkos).’ 234 by 160 mm.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1760
Extent:
1 Item

5. Add Or 5

Reference (shelfmark):
Add Or 5
Title:
Lalita Ragini
Scope & Content:
Lalita Ragini. A lover is departing from his sleeping mistress at dawn. Inscribed in Urdu: ‘ragini lalit hindol ki (Lalita Ragini’ of’ Hindola).’ 231 by 158 mm.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1760
Extent:
1 Item

6. Add Or 6

Reference (shelfmark):
Add Or 6
Title:
Vibhasa Ragini
Scope & Content:
Vibhasa Ragini. The lover is rising from his lady’s bed at dawn to shoot the cock which awakens them. . Inscribed in Urdu: ‘rag malkosh (Malkos Raga).’ 234 by 160 mm.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1760
Extent:
1 Item

7. Add Or 7

Reference (shelfmark):
Add Or 7
Title:
Ramakali Ragini
Scope & Content:
Ramakali Ragini. A lady spurns her repentant lover who kneels before her. Inscribed in Urdu: ‘ragini ramkali hindol ki (Ramakali Ragini’ of’ Hindola).’ 232 by 157 mm. Reproduced: Losty and Leach (1998), pl. 22.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1760
Extent:
1 Item

8. Add Or 9

Reference (shelfmark):
Add Or 9
Title:
Vasudeva and Krishna
Scope & Content:
Vasudeva and Krishna. Numbered ‘f.19’ in nagari. 130 by 112 mm. Vasudeva arrives to remove the infant Krishna while guards sleep outside and on the roof.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1780
Extent:
1 Item

9. Add Or 10

Reference (shelfmark):
Add Or 10
Title:
Devaki and Vasudeva
Scope & Content:
Devaki and Vasudeva. Numbered ‘f.21’ in nagari. 140 by 222 mm. Devaki sits with the changeling child, Vasudeva, chained at the end of the bed. The guards are asleep outside and on the roof.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1780
Extent:
1 Item

10. Add Or 11

Reference (shelfmark):
Add Or 11
Title:
Nanda and Garga
Scope & Content:
Nanda and Garga. Numbered ‘f.38’ on reverse in nagari. 124 by 100 mm. Nanda welcomes Garga in his house, the two men seated on low stools within a pillared chamber.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1780
Extent:
1 Item

Limit your search

more »

more »
more »
more »