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Collection Area Visual Arts Archive Reference (shelfmark) Photo 1000 Name Chintamon, Hurrichund

1. Photo 1000/42(4329)

Reference (shelfmark):
Photo 1000/42(4329)
Title:
Studio portrait of a group of Muslim men, Bombay. Photographer: Hurrichund Chintamon.
Scope & Content:
Print shown at the Paris Exhibition of 1867.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1867
Extent:
1 item

2. Photo 1000/42(4330)

Reference (shelfmark):
Photo 1000/42(4330)
Title:
Brahmin group, Bombay. Photographer: Hurrichund Chintamon.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1860s
Extent:
1 item

3. Photo 1000/42(4331)

Reference (shelfmark):
Photo 1000/42(4331)
Title:
Portrait of a Brahmin of the Carnatic, Bombay. Photographer: Hurrichund Chintamon.
Scope & Content:
Portrait of Brahmin seated beside low table laid out with various religious objects. Print shown at Paris Exhibition of 1867.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1867
Extent:
1 item

4. Photo 1000/42(4334)

Reference (shelfmark):
Photo 1000/42(4334)
Title:
Studio portrait of an Parsee woman and child, Bombay. Photographer: Hurrichund Chintamon.
Scope & Content:
Studio portrait, with woman standing, child seated on European style chair. Print shown at Paris Exhibition of 1867. See Photo 150 (20) for another portrait of this woman, taken during the same sitting but with a different child seated in the chair. This photograph is probably by William Johnson...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1867
Extent:
1 item

5. Photo 1000/42(4338)

Reference (shelfmark):
Photo 1000/42(4338)
Title:
Persian group, Bombay. Photographer: Hurrichund Chintamon.
Scope & Content:
Print shown at the Paris Exhibition of 1867.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1867
Extent:
1 item

6. Photo 1000/42(4339)

Reference (shelfmark):
Photo 1000/42(4339)
Title:
Bankoty group, Bombay. Photographer: Hurrichund Chintamon.
Scope & Content:
Large group posed in front of verandah of house, some wearing livery. The Bankotis are defined by Edwardes as a group of hereditary servants from the Konkan: 'A certain number of Konkanis, known as Bankotis, are employed as menials in Hindu households and are somewhat highly paid, their wages ha...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1867
Extent:
1 item

7. Photo 1000/42(4340)

Reference (shelfmark):
Photo 1000/42(4340)
Title:
Studio portrait of Gosavis, Bombay. Photographer: Hurrichund Chintamon.
Scope & Content:
Group of men and youths of the Gosavi caste, posed againt a painted studio backdrop. Print shown at the Paris Exhibition of 1867.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1867
Extent:
1 item

8. Photo 1000/42(4341)

Reference (shelfmark):
Photo 1000/42(4341)
Title:
Studio portrait of two Rajputs, Bombay. Photographer: Hurrichund Chintamon.
Scope & Content:
Full-length portrait of two Rajput men, seated on either side of an occasional table. Print shown at the Paris Exhibition of 1867.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1867
Extent:
1 item

9. Photo 1000/42(4342)

Reference (shelfmark):
Photo 1000/42(4342)
Title:
Portrait of the Nimbalkar of Satara (a Maratha), at Bombay Photographer: Hurrichund Chintamon.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1867
Extent:
1 item

10. Photo 1000/42(4343)

Reference (shelfmark):
Photo 1000/42(4343)
Title:
The Punt Pratinidhi of Satara (a Brahmin). Photographer: Hurrichund Chintamon.
Scope & Content:
Full-length seated portrait, with servants. It is unclear whether this portrait was also used in the Paris Exhibition of 1867, or whether the note to that effect refers only to print 4342, which is mounted on the same page.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
c 1867
Extent:
1 item