Full-length seated studio portrait of a young girl of an Indian princely family. Photographer: Unknown
Scope & Content:
Subject unidentified. Inscribed on mount in pencil: 16-4803-C. Bengal. Div. 11. Class G. No. 1119. This is probably a catalogue reference to the Paris Exhibition of 1867.
Group of Kota men and women, Nilgiri Hills. Photographer: Unknown
Scope & Content:
Group of men and women posed in front of a thatched house. Variant of plate xv of James Wilkinson Breeks, An account of the primitive tribes and monuments of the Nilagiris (India Museum, London, 1873), evidently taken on the same occasion, but with figures posed slightly differently.
Studio portrait of a Burmese dancer. Photographer: Unknown
Scope & Content:
Study of the male dancer also seen in print 4364. Carte-de-visite sized print on mount with decorative border in gold and red. Print shown at the Paris Exhibition of 1867.
Todas with clubs, etc., Nilgiri Hills. Photographer: Unknown
Scope & Content:
Group of four Toda men, carrying spears and clubs. One figure appears to be playing a flute-like instrument, while the crouching figure on the left holds a stringed instrument. Duplicate of print 1107.
Large group posed in front of verandah of house, some wearing livery. The Bankotis are defined by Edwardes as a group of hereditary servants from the Konkan: 'A certain number of Konkanis, known as Bankotis, are employed as menials in Hindu households and are somewhat highly paid, their wages ha...
South Indian woman and child, Madras. Photographer: Madras School of Industrial Arts
Scope & Content:
Full-length portrait, against a makeshift backdrop, of a woman and child. The face of the child, who stands on a chair, is blurred through movement. Print shown at the Paris Exhibition of 1867.