MAXWELL DAVIES MANUSCRIPTS. Vols. i, ii. ‘Revelation and Fall’ (J65), monodrama for soprano and instrumental ensemble (words, Georg Trakl, Offenbarung und Untergang); 1965-1966, n.d. Published Boosey & Hawkes, 1971, reproduced in facsimile from the composer’s autograph, which is now in the Library of Congress, Washington. Two volumes.
MAXWELL DAVIES MANUSCRIPTS. Vols. v, vi. ‘Eight Songs for a Mad King’ (J80) for male voice and instrumental ensemble (words, Randolph Stow after King George III); 1969, n.d. A facsimile of Add. 71257 published Boosey & Hawkes, 1971. Two volumes.
Scope & Content:
Frances D'Arblay, née Burney; author: Julian Randolph Stow, Australian writer: George III of England: Words for Peter Maxwell Davies's 'Eight Songs for a mad king' , after text by George as set down by Fanny Burney: 1969, n.d.
MAXWELL DAVIES MANUSCRIPTS. Vols. viii-x. ‘Taverner’ (J92), opera in two acts (words by the composer); [1962]-1970, n.d. Vocal score published Boosey & Hawkes, 1972, full score, the same, 1984. Three volumes.
Scope & Content:
Sir Peter Maxwell Davies, composer: Compositions by Peter Maxwell Davies for which the composer wrote the words: 1966-1992.
MAXWELL DAVIES MANUSCRIPTS. Vols. xxi, xxii. ‘Le Jongleur de Notre Dame’ (J155), masque for baritone, mime and instrumental ensemble (words by the composer); 1977-[1978]. Published Chester Music, 1978. Two volumes.
Scope & Content:
Sir Peter Maxwell Davies, composer: Compositions by Peter Maxwell Davies for which the composer wrote the words: 1966-1992.