MASS in G, in three parts, with strings and figured bass, by Alessandro Grandi. Imperfect. Paper; ff. 25. xviiith cent. Quarto. Alessandro Grandi: Masses: 18th cent.
MOTETS and masses for eight and twelve voices, in organ-score, by Vincenzo Ugolino; from the edition of 1622. At the end are some canons in Latin and Italian. Paper; ff. 143. xviiith cent. Folio. Vincenzo Ugolino: Motets and masses: 18th cent.
"I NAVIGANTI": a serenata, in score, by G. Carissimi. Paper; ff. 20. xviith cent. Oblong Folio. Giacomo Carissimi, composer: I Naviganti serenata: 17th cent.
1. MAGNIFICAT, in full score, by G. Carissimi. Autograph. f.1. 2. Motets, in score, by Giovanni Paolo Colonna, wanting the last sheet; 1681. Autograph. f. 39. Paper; ff. 63. xviith cent. Oblong Folio. includes: f. 1 (autogr.) Giacomo Carissimi, composer: Church-music: 17th - 19th centt. f. 3...
1. MOTETS for two voices by Giacomo Carissimi, wanting the two last leaves. f. 1. 2. " Victimae,Paschali," for eight voices, in score, by G. P. Colonna; 1686. Autograph. f. 39. Paper; ff. 56. xviith cent. Quarto. Giacomo Carissimi, composer: Church-music: 17th - 19th centt. includes: f. 39 ...
1. MOTETS: " Surgamus," and "Salve, regina," in voice-score, by G. Carissimi. f. 1. 2. "Qui pacem amatis ": part apparently of an oratorio, by Agostino Steffani; in score. f. 9. 3. "Laudate Pueri " for four choirs, by Innocenzo Fede; in sixteen parts, with violone and basso continuo, whereof...
MOTETS by Carissimi and Steffani, transcribed by the Rev. William Gostling. (See Rimbault's Old Cheque Book of the Chapel Royal, p. 220.) The invocations, etc., are altered by Thomas Bever, LL.D. Included is the oratorio of Jephte, by Carissimi, f. 69. At f. 26 b, is a setting of the 41st Psalm,...
1. MASS for two choirs in full score; followed, at f. 30 b, by a magnificat," also for two choirs, in voice-score, by G. Carissimi. f.1. 2. "Te Deum," in full score, by Francesco Uria; transcribed by John Anderson, chorister of St. Paul's, 1781, from a copy said to have belonged to G. F. Handel...