Copies 1-4. With pencil and red chalk markings and cuts made with paste-overs and pinning. The names of players are written on the parts: 'Reeve & Pigott', 'Wagstaff & Jacobs', 'Harper & [Co]?', '[Webb]? Westrop & Signor Blagrove', 'M Chèneri 1850',
Copies 3 and 4 only. With pencil and red chalk markings and cuts made with paste-overs. The names of players are written on the parts: 'Calkin & Kearns', 'Glanville & Morris'.
With red chalk markings and cuts made with paste-overs. The names of players are written on the parts. 1. Cello/bass. 1 copy. 'Hatton & Howell'.2. Cello. 3 copies. 'Crouch & Lavenu', 'Phillips'.
3 copies. Title 'Guglielmo Tell'. With red chalk markings and cuts made with paste-overs and pinning. The names of players are written on the parts: 'Flower & Vaudralant', 'Wilson & Griffiths', 'Campanile'(?).
With red chalk markings and cuts made with paste-overs and pinning.1. First horn2. Second horn3. Horn on the stage. On green paper.4. Unidentified fragment of vocal score found with horn parts, text begins 'non posso o dio resistere a cosi rio dolor'.
Trumpet, trombone, bass trombone, ophicleide, timpani. With red chalk markings and cuts made with paste-overs and pinning. The trombone part is dated '1844' in Act 2, and at the end of Act 2 has the note '1 hour Long 3rd August 1843 Mr Costa's Benefit'.