FREDERIC DELIUS ‘The Song of the High Hills’. Piano [rehearsal] part for use with chorus score. Copy, partly printed; n.d. The passages with chorus only (with occasional introductory and succeding bars). Comprising the printed chorus parts pasted to music paper with the piano reduction sdded i...
GUSTAV ERNEST Dramatic Overture; 1885. Autograph. Composer identified in ink by the motto ‘Fortune! all men call thee fickle’, from Romeo and Juliet. ff. i+31. 345 x 270mm. Gustav Ernest, composer: Dramatic overture by Gustav Ernest: 1885: Autogr.
FRANÇOIS FÉMY Symphony in E minor; n.d. (wm 1813). Autograph. ff. iii+19. 287 x 235mm. Royal Philharmonic Society: François Fémy, composer: Symphony in E minor by François Fémy, composed for the Philharmonic Society: n.d.: Autogr.
FRIEDRICH ERNST FESCA Overture ‘Cantemire’, op. 19. English copy; 1845. ff. ii+18 241 x 290mm. Friedrich Ernst Fesca, composer: 'Cantemire', overture by Friedrich Ernst Fesca: 1845: Copy.
PATRICK HADLEY ‘The last memory’, for cello and orchestra, with wordless soprano, ‘after the poem by Arthur Symons’ (f. 1r); 1928. Arrangement for cello, piano and voice. Autograph. ff. i+10 294 x 237mm. Arthur William Symons, poet and critic: Patrick Arthur Sheldon Hadley, composer: 'The la...