Publication in Poetry Review (The Poetry Society, London): (A). Volume 60, No. 3 (Autumn 1969), edited by Derek Parker. Includes a review by Robert Garioch of several volumes including Harwood, The White Room (Fulcrum Press, 1968), pp. 208-9. (B). Volume 62, No. 3 (Autumn 1971), edited by Eric M...
A complete copy of Pennsylvania Review, No. 1 (1970), edited by Victor Bockris (University of Pennsylvania). Includes 'Extracts from a Conversation with Lee Harwood' (pp. 7-14), and seven poems by Tristan Tzara translated by Harwood (pp. 15-26): 'Circus 3'; 'Railway Station'; 'Circus 6'; 'Total C...
Lee Harwood: Publication in CCCP [Cambridge Conference of Contemporary Poetry]
Scope & Content:
A complete copy of CCCP, No 9 (1999), published by the Cambridge Conference of Contemporary Poetry (Saffron Walden), 'to accompany a weekend of readings and performance at Trinity College, Cambridge, 23-25 April 1999'. Includes by Harwood: 'Salt Water'; 'Silk Veil'; 'Gorgeous - yet another Bright...
(A). Complete copy of The Ant's Forefoot, No. 1 (Fall 1967), edited by Davis Rosenberg (Founders College York University, Toronto). Includes 7 poems by Harwood: 'The Revisitation'; 'The Tractors Are Waiting'; 'Pastoral'; 'Dazzle'; 'The Journey'; 'The Nine Death Ships Waving Revolvers'; 'Love in t...
A complete copy of Ochre Magazine, No. 3 [1978?], edited by Charles Ingham and Ralph Hawkins (Little Clacton, Essex). Includes four poems by Harwood: 'Machines'; 'Portraits from My Life'; 'Green Summer Note-Book'; 'The Censor Looms'.
A complete copy of United Artists, No. 17 (March 1983), edited by Bernadette Mayer (New York). Includes four poems by Harwood: 'A Child's View of Railways'; 'As evening draws in'; 'Sussex Downs'; 'Monster Masks'.