FRASER-SIMSON MANUSCRIPTS. Vols. I, II . Full score of prologue and Act I, Act II. Autograph. The end of the prologue (50151, f. 17), which has been revised, is signed and dated March 1914. Red quarter-morocco bindings, gilt-stamped and -tooled.
FRASER-SIMSON MANUSCRIPTS. Vols. III, IV. Full score of prologue and Act I, Act II. Copy, lacking the additional number to words by Aveling. Blue quarter-morocco bindings, gilt-stamped and -tooled.
FRASER-SIMSON MANUSCRIPTS. Vol. VII (ff. i+157). Full score; circa 1928. Copy, following the order of the published vocal score. Red quarter-morocco binding, gilt-stamped and -tooled.
FRASER-SIMSON MANUSCRIPTS. Vol. VIII (ff. i+86). Vocal score. Copy, circa [1919?]. The numbers in Act II differ in order, and in some cases in title, from the full score. No. 7 of that score is omitted. Large quarto. Black cloth binding, gilt-stamped.
FRASER-SIMSON MANUSCRIPTS. Vol. XIII (ff. i+48). Full score. Copy, with revisions in another hand and conductor's markings, signed by the composer (ff. 1, 48).
FRASER-SIMSON MANUSCRIPTS. Vol. XVII A (ff. i+120). Full score, including (ff. 63b-65b) the 1930 additional number (no. 14a, 'The Judge's Song'). Copy, circa 1930. Blue quarter-morocco, gilt-stamped and -tooled.
FRASER-SIMSON MANUSCRIPTS. Vol. XVII B (ff. 8). Full score of the second additional number (quartet, 'When night comes on'); signed 'H. F. S. December 1931' (f. 8b). Autograph.
FRASER-SIMSON MANUSCRIPTS. Vol. XII (ff. i+62). Full score. Autograph, with revisions in another hand. Followed (ff. 49-62) by a typewritten scenario, marked with cue numbers to the music. includes: ff. 49-62 Louis Napoleon Parker, author and composer: Scenario for ballet, `A Venetian Wedding'...
FRASER-SIMSON MANUSCRIPTS. Vol. XVI (ff. 15). Piano score. Preceded (f. 2) by a typewritten scenario. Large quarto. includes: f. 2 Patrick Healey-Kay, alias 'Anton Dolin'; dancer and choreographer: Scenario for ballet, `The nightingale and the rose': circa 1927: Typewritten.