JOHANN SIMON MAYR (b.1763, d.1845): ‘I Misteri Eleusini’, ‘Dramma Serio’ in 2 acts to a libretto by Giuseppe Bernadoni; circa 1805: Act I. ff. i + 155.
Act IV; [1882-1883]. In a French translation by Édouard Duprez. Corresponds to Act III of the Italian version. With the imprint of Gio. Ricordi of Milan in the margins of the paper. The cover bears the imprint both of Gio. Ricordi and of Léon Grus, 31, Boulevard Bonne-Nouvelle, Paris. Léon Grus took over the rights to Rigoletto in 1882; Grus moved from 31, Boulevard Bonne-Nouvelle in 1884. See A. Devriès and F. Lesure, Dictionnaire des éditeurs de musique français, vol. 2. (Geneva, 198...
JACQUES OFFENBACH (b.1819, d.1880): ‘Die schöne Helena’, opera in 3 acts to a libretto by Henri Meilhac and Ludovic Halévy, in a German translation by Ernst Dohm; 19th cent: Acts I and II (part). ff. i + 140. Marbled boards.
JACQUES OFFENBACH (b.1819, d.1880): ‘Die schöne Helena’, opera in 3 acts to a libretto by Henri Meilhac and Ludovic Halévy, in a German translation by Ernst Dohm; 19th cent: Acts II (contd.) and III. ff. ii + 144. Plain boards with a cover label printed with the words ‘Rastrir- & Büchereinband-Anst. v. K. G. Förk & G. Uhrmann Temesvár’.
GIOACHINO ROSSINI (b.1792, d.1868): ‘Otello der Mohr von Venedig’, opera in 3 acts to a libretto by Francesco Berio di Salsa, after Shakespeare, in a German translation; 19th cent: Act I. ff. iii + 232.
GIOACHINO ROSSINI (b.1792, d.1868): ‘Otello der Mohr von Venedig’, opera in 3 acts to a libretto by Francesco Berio di Salsa, after Shakespeare, in a German translation; 19th cent: Acts II and III. ff. iv + 252.
JOHANN SIMON MAYR (b.1763, d.1845): ‘Elisa, ossia Il Monte di S. Bernardo’, opera in 1 act to a libretto by Gaetano Rossi; 1815: Introduction and scenes 1–6. ff. ii + 111.
JOHANN SIMON MAYR (b.1763, d.1845): ‘Elisa, ossia Il Monte di S. Bernardo’, opera in 1 act to a libretto by Gaetano Rossi; 1815: Scenes 7–11 and finale. ff. iv + 134.