Autograph. ‘A quattro concertato con piu stromenti’. In score, with oboes, trumpets and strings. Johann Christian Bach, composer: Church music: circ 1758-1762: Ital, Eng: Autogr.
ROYAL MUSIC COLLECTION. Cordicelli (Giovanni). Confitebor; 18th century. ‘A Alto solo con Ripieni Violini Corni e Basso’. Motet for solo and 4-part chorus; with symphonies and accompaniment for instruments, and unfigured bass. Paper. ff. 45. Giovanni Cordicelli, composer: 'Confitebor', motet: ...
ROYAL MUSIC COLLECTION. Durante (Francesco). Protexiste me, Deus; circa 1745. Motet for 5 voices on a plainsong, unaccompanied. ‘Concorso fatto per la real cappella di Napoli a 21 Aple 1745 supra il sequente Canto firmo …’. Paper. ff. 20. Francesco Durante, composer: 'Protexiste me Deus', mote...
ROYAL MUSIC COLLECTION. Aresta ( ). Messa; 18th century. Kyrie and Gloria only, for 4 voices; with symphonies and accompaniments for strings, and a figured bass, in score. Paper. ff. 36. Aresta, composer: 'Messa': 18th cent: Lat: Copy?.
ROYAL MUSIC COLLECTION. Foggia (Francesco). Offertoria’; 18th century. A numbered collection of 18 motets for several voices; unaccompanied except for the first and last, which have a figured bass, in score. Paper. ff. 32. 1. ff. 1-3. Assumpta est Maria (à 5). 2. ff. 3b-5. Constitues eos (à 5...
ROYAL MUSIC COLLECTION. Caldara (Antonio). Confitebor; 18th century. Motet, followed by Gloria Patri, for 3 voices; with symphonies and accompaniment for instruments, and figured bass, in score. Paper. ff. 32. Antonio Caldara, composer: Music manuscripts: 18th cent: Ital, Lat: Copies.
ROYAL MUSIC COLLECTION. Palestrina (Giovanni Pierluigi da). 12 motets; 18th century. A collection of motets for 5 voices; unaccompanied, in score. Nos. 1-5, 8, 10-12 from the first and second parts of the Offertoria, 1593; nos. 6-7 from the 5th book of Motets, published in 1584. No. 9 does not a...
ROYAL MUSIC COLLECTION. Sabbatini (Nicolo). Messa; 18th century. Kyrie and Gloria only, for 5 voices; with symphonies and accompaniment for oboes, horns, trumpets and strings, and an unfigured bass, in score. Paper. ff. 59. Nicolo Sabbatini, composer: Vocal music: 18th cent: Ital, Lat: Copies.
George Frideric Handel: Psalms (Latin) I. Autograph
Scope & Content:
‘Laudate pueri Dominum’ (Psalm 112) in F (HWV 236) (H-G. XXXVIII, No. I). Points of note: 1. f. 3. ‘Qui sicut Dominus’ (H-G., p. 7). Marked ‘ad[agio]’.
ROYAL MUSIC COLLECTION. Pergolesi (Giovanni Battista). Stabat Mater; 18th century. For soprano and alto voices; with symphonies and accompaniment for strings, and a figured bass for organ, in score. On f. 1. is written in a different hand ‘Portato da Roma nel anno 1738’. [For another contemporar...