This is an interim version of our Archives and Manuscripts Catalogue while we continue to recover from a cyber-attack.
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Melrose Abbey, Engraved on steel by G. Barclay from a photographic picture taken under the direction of H.F. Talbot Esq. 1844. Photographer: Talbot, William Henry Fox
Scope & Content:
Genre: Architectural Photography The ruined abbey taken from the graveyard, showing the area between the south transept and presbytery. The title is printed underneath. An original print of this photograph can be seen at Talbot Photo 2 (123) and 3 engravings taken from the same plate can be fou...
Melrose Abbey, Engraved on steel by G. Barclay from a photographic picture taken under the direction of H.F. Talbot Esq. 1844. Photographer: Talbot, William Henry Fox
Scope & Content:
Genre: Architectural Photography The ruined abbey taken from the graveyard, showing the area between the south transept and presbytery. The title is printed underneath (a fair amount of foxing on the paper). An original print of this photograph can be seen at Talbot Photo 2 (123) and 3 engravin...
Genre: Architectural Photography Facing p. 28. View looking towards the sanctuary dome of the Kali Devi Devi Temple: 'The temple of Kálka of Káli Devi stands on the boundary of the historic village of Bahárpúr, and about nine miles from modern Delhi, on the road to Tughlaqábád. Originally, it w...
Masjid Quvvat-ul-islam [Delhi]. Photographer: Unknown
Scope & Content:
Genre: Architectural Photography Facing p. 40. View looking towards the entrance arch of the Quwwat-ul-Islam Masjid at the Qutb, Delhi, with the Iron Pillar visible in the courtyard beyond.
Genre: Architectural Photography Facing p. 50. View of the remains of Shams-ud-din Iltutmish's extension, an outer cloister, to the Quwwat-ul-Islam Masjid at the Qutb, Delhi.
Bharhut. Ends of Toran beams of east gateway, one-sixth scale. Photographer: Beglar, Joseph Daviditch Melik
Scope & Content:
Genre: Archaeological Photography Montage of photographs of the outer edge fragments of the torana, arranged as when standing, with missing pieces drawn in.