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'View of the bridge near Baroda in Guzerat drawn in 1806'. Aquatint by Bentley with Willis and Melville after Grindlay, from R. Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 22. Artist(s): Bentley, Charles (1806-1854) with Willis, J., and Melville, H., after Grindlay, R.M. (1786-1877)
Scope & Content:
'View of the bridge near Baroda in Guzerat drawn in 1806'. Aquatint by Bentley with Willis and Melville after Grindlay, from R. Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 22.. Artist(s): Bentley, Charles (1806-1854) with ...
'Interior of the cave temple of Indra Sabha at Ellora'. Aquatint by Pyall after Grindlay redrawn by Roberts, from R. Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 25. Artist(s): Pyall, Henry (1795-1833), after Roberts, David (1796-1864) and Grindlay, R.M. (1786-1877)
Scope & Content:
'Interior of the cave temple of Indra Sabha at Ellora'. Aquatint by Pyall after Grindlay redrawn by Roberts, from R. Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 25.. Artist(s): Pyall, Henry (1795-1833), after Roberts, Da...
'Entrance of the great cave temple of Elephanta, near Bombay, drawn in 1803'. Aquatint by Bentley after Westall, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 29. Artist(s): Bentley, Charles (1806-1854), after Westall, William (1781-1850)
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'Entrance of the great cave temple of Elephanta, near Bombay, drawn in 1803'. Aquatint by Bentley after Westall, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 29.. Artist(s): Bentley, Charles (1806-1854), after ...
'Interior of the great cave temple of Elephanta, near Bombay, drawn in 1803'. Aquatint by Bentley after Westall, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 30. Artist(s): Baily, James (fl. 1810-37), after Westall, William (1781-1850)
Scope & Content:
'Interior of the great cave temple of Elephanta, near Bombay, drawn in 1803'. Aquatint by Bentley after Westall, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 30.. Artist(s): Baily, James (fl. 1810-37), after We...
'The sacred town and temples of Dwarka'. Aquatint by Reeve after Grindlay redrawn by Purser, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 32. Artist(s): Reeve, R.G. (1803-1889), after Purser, William (fl. 1809-1837) and Grindlay, R.M. (1786-1877)
Scope & Content:
'The sacred town and temples of Dwarka'. Aquatint by Reeve after Grindlay redrawn by Purser, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 32.. Artist(s): Reeve, R.G. (1803-1889), after Purser, William (fl. 1809...
'Exterior of the great cave temple of Elephanta, near Bombay, drawn in 1803'. Aquatint by Hughes after Westall, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 33. Artist(s): Hughes, S.G. (b.1793), after Westall, William (1781-1850)
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'Exterior of the great cave temple of Elephanta, near Bombay, drawn in 1803'. Aquatint by Hughes after Westall, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 33.. Artist(s): Hughes, S.G. (b.1793), after Westall,...
'The great triad in the cave temple of Elephanta, near Bombay, drawn in 1803'. Aquatint by Hughes after Westall, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 34. Artist(s): Edge, T. (fl. 1820s), after Westall, William (1781-1850)
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'The great triad in the cave temple of Elephanta, near Bombay, drawn in 1803'. Aquatint by Hughes after Westall, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 34.. Artist(s): Edge, T. (fl. 1820s), after Westall,...
'View of the city and fortress of Tonk in Rajpootana'. Aquatint by Hunt after Auber redrawn by Westall, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 35. Artist(s): Hunt, C.F. (fl. 1820s), after Westall, W. (1781-1850 ) and Auber, C. (fl. early 19th century)
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'View of the city and fortress of Tonk in Rajpootana'. Aquatint by Hunt after Auber redrawn by Westall, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 35.. Artist(s): Hunt, C.F. (fl. 1820s), after Westall, W. (17...
'Portico of a Hindoo temple, with other HIndoo and Mahomedan buildings'. Aquatint by Hunt after Auber redrawn by Westall, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 36. Artist(s): Reeve, R.G. (1803-1889), after Roberts, David (1796-1864) and Grindlay, R.M. (1786-1877)
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'Portico of a Hindoo temple, with other HIndoo and Mahomedan buildings'. Aquatint by Hunt after Auber redrawn by Westall, from Robert Grindlay's 'Scenery, costumes and architecture, chiefly on the western side of India,' London, 1826-30. Vol 2, Pl. 36.. Artist(s): Reeve, R.G. (1803-1889), af...
View of the modern village of Mandoo, and of the ancient mosque the "Jumah Musjid." Plate 1 from Captain Harris' 'The Ruins of Mandoo, the Ancient Mahommedan Capital of Malwah, in Central India,' published by Day and Son, London, 1859. Artist(s): Day & Son (fl. mid-19th century), after Harris, Claudius Richard William Frith (1826-1862)
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View of the modern village of Mandoo, and of the ancient mosque the "Jumah Musjid." Plate 1 from Captain Harris' 'The Ruins of Mandoo, the Ancient Mahommedan Capital of Malwah, in Central India,' published by Day and Son, London, 1859.. Artist(s): Day & Son (fl. mid-19th century), after Har...