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'A General View of Ootacamund. From the road leading from Conoor,exactly at the spot were the Cantonment is first seen, looking North West.' Pl. 2, in Barron, R. 'Views in India chiefly among the Neelgherry Hills.' London:1835. Artist(s): Havell, Robert (1793-1878), after Barron, Richard (c.1798-1838)
Scope & Content:
'A General View of Ootacamund. From the road leading from Conoor,exactly at the spot were the Cantonment is first seen, looking North West.' Pl. 2, in Barron, R. 'Views in India chiefly among the Neelgherry Hills.' London:1835.. Artist(s): Havell, Robert (1793-1878), after Barron, Richard (c.17...
'A View Taken in the Commandant's Garden. Looking north east, including C. M. Lushington's house and Kelsoe Land.' Pl. 3, in Barron, R. 'Views in India chiefly among the Neelgherry Hills.' London:1835. Artist(s): Havell, Robert (1793-1878), after Barron, Richard (c.1798-1838)
Scope & Content:
'A View Taken in the Commandant's Garden. Looking north east, including C. M. Lushington's house and Kelsoe Land.' Pl. 3, in Barron, R. 'Views in India chiefly among the Neelgherry Hills.' London:1835.. Artist(s): Havell, Robert (1793-1878), after Barron, Richard (c.1798-1838)
'Taken from the Bridge Seen in No. 1. Looking at the South Side of the Lake.' Pl. 4, in Barron, R. 'Views in India chiefly among the Neelgherry Hills.' London:1835. Artist(s): Havell, Robert (1793-1878), after Barron, Richard (c.1798-1838)
Scope & Content:
'Taken from the Bridge Seen in No. 1. Looking at the South Side of the Lake.' Pl. 4, in Barron, R. 'Views in India chiefly among the Neelgherry Hills.' London:1835.. Artist(s): Havell, Robert (1793-1878), after Barron, Richard (c.1798-1838)
'Taken at Kandelmund. Which it represents, and the Toda Family Inabiting.' Pl. 5, in Barron, R. 'Views in India chiefly among the Neelgherry Hills.' London:1835. Artist(s): Havell, Robert (1793-1878), after Barron, Richard (c.1798-1838)
Scope & Content:
'Taken at Kandelmund. Which it represents, and the Toda Family Inabiting.' Pl. 5, in Barron, R. 'Views in India chiefly among the Neelgherry Hills.' London:1835.. Artist(s): Havell, Robert (1793-1878), after Barron, Richard (c.1798-1838)
'View of Tassisudon'. Pl.2 from 'Views in Bootan', engraved and published by William Daniell after Samuel Davis. Artist(s): Daniell, William (1769-1837), afer Davis, Samuel (1756/7-1819)
Scope & Content:
'View of Tassisudon'. Pl.2 from 'Views in Bootan', engraved and published by William Daniell after Samuel Davis.. Artist(s): Daniell, William (1769-1837), afer Davis, Samuel (1756/7-1819)
'The palace of the Deib Rajah at Tassisudon'. Pl. 3 from 'Views in Bootan', engraved and published by William Daniell after Samuel Davis. Artist(s): Daniell, William (1769-1837), afer Davis, Samuel (1756/7-1819)
Scope & Content:
'The palace of the Deib Rajah at Tassisudon'. Pl. 3 from 'Views in Bootan', engraved and published by William Daniell after Samuel Davis.. Artist(s): Daniell, William (1769-1837), afer Davis, Samuel (1756/7-1819)
'A emple of Bode'. Pl. 4 from 'Views in Bootan', engraved and published by William Daniell after Samuel Davis. Artist(s): Daniell, William (1769-1837), afer Davis, Samuel (1756/7-1819)
Scope & Content:
'A emple of Bode'. Pl. 4 from 'Views in Bootan', engraved and published by William Daniell after Samuel Davis.. Artist(s): Daniell, William (1769-1837), afer Davis, Samuel (1756/7-1819)
'Neermul, a fortress belonging to Nizam Ally'. Coloured aquatint with etching by Francis Jukes after Thomas Anburey, plate 4 of ' Hindoostan Scenery...', published by Sir Thomas Anburey, London, 1798-9. Artist(s): Jukes, Francis (1746-1812) after Anburey, Sir Thomas (1759-1840)
Scope & Content:
'Neermul, a fortress belonging to Nizam Ally'. Coloured aquatint with etching by Francis Jukes after Thomas Anburey, plate 4 of ' Hindoostan Scenery.....', published by Sir Thomas Anburey, London, 1798-9.. Artist(s): Jukes, Francis (1746-1812) after Anburey, Sir Thomas (1759-1840)
'Mahore, a fortress belonging to Nizam Ally'. Coloured aquatint with etching by Francis Jukes after Thomas Anburey, plate 5 of ' Hindoostan Scenery...', published by Sir Thomas Anburey, London, 1798-9. Artist(s): Jukes, Francis (1746-1812) after Anburey, Sir Thomas (1759-1840)
Scope & Content:
'Mahore, a fortress belonging to Nizam Ally'. Coloured aquatint with etching by Francis Jukes after Thomas Anburey, plate 5 of ' Hindoostan Scenery.....', published by Sir Thomas Anburey, London, 1798-9.. Artist(s): Jukes, Francis (1746-1812) after Anburey, Sir Thomas (1759-1840)
'View of Golconda from a range of rocks west of it'. Coloured aquatint with etching by Francis Jukes after Thomas Anburey, plate 6 of ' Hindoostan Scenery...', published by Sir Thomas Anburey, London, 1798-9. Artist(s): Jukes, Francis (1746-1812) after Anburey, Sir Thomas (1759-1840)
Scope & Content:
'View of Golconda from a range of rocks west of it'. Coloured aquatint with etching by Francis Jukes after Thomas Anburey, plate 6 of ' Hindoostan Scenery.....', published by Sir Thomas Anburey, London, 1798-9.. Artist(s): Jukes, Francis (1746-1812) after Anburey, Sir Thomas (1759-1840)