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1071. WD540(5)

Reference (shelfmark):
WD540(5)
Title:
Myan-Oung, from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Myan-Oung, from the Steamer.’ AT Myan-Oung, which is another day's steam journey from Henzidah, and on the same (the western) side of the river, are cantonments for the Pegue Light-Infantry, a body of men raised and organized by Major Nutall. Burmese towns and villages, which are almost invar...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

1072. WD540(7)

Reference (shelfmark):
WD540(7)
Title:
Kama, from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Kama, from the Steamer.’ QUITTING Prome, about four hours steaming brings the voyager to the picturesque town of Kama, situated on the right bank of the river. Here, rising from the centre of the town, is a very fine pagoda, which appears to have more than common claims to attention; but far ...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

1073. WD540(8)

Reference (shelfmark):
WD540(8)
Title:
Thayet-myo, from the Steamer, looking south. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Thayet-myo, from the Steamer, looking south.’ THIS place is the ‘Sirraip-mew’ of Colonel Symes, and ‘Head Quarters of the British Frontier Brigade’ (‘Captain Yule’s Report, page 228’). It is five miles below the Frontier Magazine, and Ordnance Depot and station of Meaday, and about eleven from...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

1074. WD540(9)

Reference (shelfmark):
WD540(9)
Title:
The Library, etc., on the bank - Thayet-myo. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘The Library, ec., on the bank - Thayet-myo.’ THE principal object in the second and nearer view of the high bank is a large bungalow termed ‘‘the Library’,’ and is, it is believed, used not only as such, but as an Assembly Room, for any other public purpose which the requirements of the little...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

1075. WD540(10)

Reference (shelfmark):
WD540(10)
Title:
Thayet-myo, from the Steamer, looking north. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Thayet-myo, from the Steamer, looking north.’ THE view to the north contains an interesting group of pagodas, with the customary tzoums and ziyats attached, but seen from so great a distance are necessarily small and undefined in character.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

1076. WD540(11)

Reference (shelfmark):
WD540(11)
Title:
The Frontier, from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘The Frontier, from the Steamer.’ THE Frontier of the British and Burman territories, which was passed on the forenoon of the eleventh day of the journey, is marked on either shore by two white pillars, which in the drawing, as in reality, are distinguishable as little more than two white specs...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

1077. WD540(12)

Reference (shelfmark):
WD540(12)
Title:
Zoungyan-doung, from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Zoungyan-doung, from the Steamer.’ FROM the frontier to this place, the scenery of the Irrawaddy, with its long range of densely clad hills on the west (whilst the eastern is low and frequently park like), always commanding admiration, continues imposing and beautiful. Its resemblance and freq...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

1078. WD540(13)

Reference (shelfmark):
WD540(13)
Title:
Mengoon, from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Mengoon, from the Steamer.’ No opportunity having been afforded of obtaining sketches of the large village of Laypadoh, — of the picturesque frontier town of Maloon, or of the village of Menhla, the residence of the Governor of Maloon, the next place of halting was Mengoon (or Myen-goon) — ‘Th...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

1079. WD540(14)

Reference (shelfmark):
WD540(14)
Title:
Mag-way, Pagoda and River, looking north. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Mag-way, Pagoda and River, looking north.’ THE banks of the river now change their character. The right or western side becomes low, whilst the left rises into bold elevations. Mao-way — the largest town yet seen by the Mission — is built after the usual Burmese manner, in lines of houses para...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

1080. WD540(15)

Reference (shelfmark):
WD540(15)
Title:
Yé-nan-gyoung, Petrolium or Earth Oil Creek. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Yé-nan-gyoung, Petrolium or Earth Oil Creek.’ THE town, viewed from the deck of the steamer. Yea-nan-gyoung, or ‘Fetid Water Creek,’ so called from the ‘Petroleum’, or Earth Oil, of which singular production this is the locality, stands on the eastern, or left bank of the Irrawaddy, and was r...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

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