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262. Mss Eur G91(213b)
- Reference (shelfmark):
- Mss Eur G91(213b)
- Title:
- Goparam [sic, for vimana] of Beloor Temple [Chennakeshvara Temple]. Photographer: Dixon, Henry
- Scope & Content:
- Genre: Architectural Photography Close view from the west of the sanctuary tower of the temple, also seen in the background of print 213 and now no longer standing. Not the gopura (for which, see Photo 1000 (2331)). For another copy of this print, see Photo 1000 (2333). [Albumen print, 253x350...
- Collection Area:
- India Office Records and Private Papers
- Languages:
- Not applicable
- Date Range:
- c 1868
- Extent:
- 1 item
263. Mss Eur G91(219b)
- Reference (shelfmark):
- Mss Eur G91(219b)
- Title:
- [?]Rangdham Temple at Chikka Balapoor, Kolar District. [Probably the Venkataramana Temple, Madhugiri.] Photographer: Dixon, Henry
- Scope & Content:
- Genre: Architectural Photography General view of entrance gopura. Another copy of this photograph at Photo 1000 (2309b) identifies this as the Venkataramana Temple at Madhugiri: this identification has been tentatively accepted. [Albumen print, 256x341mm]. Subjects = architectural elements; ...
- Collection Area:
- India Office Records and Private Papers
- Languages:
- Not applicable
- Date Range:
- c 1868
- Extent:
- 1 item
264. Mss Eur G91(224)
- Reference (shelfmark):
- Mss Eur G91(224)
- Title:
- Somanathpoor Temple, near Talkad. Photographer: Unknown
- Scope & Content:
- Genre: Architectural Photography View of richly-carved shrine. [Albumen print, 241x190mm]. Subjects = architecture; Bowring Collection; Indian architecture; Indian architecture (Hindu); temples
- Collection Area:
- India Office Records and Private Papers
- Languages:
- Not applicable
- Date Range:
- 1860s
- Extent:
- 1 item
265. Mss Eur G91(247)
- Reference (shelfmark):
- Mss Eur G91(247)
- Title:
- Someshwara Temple, Magadi. Photographer: Unknown
- Scope & Content:
- Genre: Architectural Photography General view of temple from outside precincts. Print unsigned, possibly by Henry Dixon. [Albumen print, 290x222mm]. Subjects = Bowring Collection; Indian architecture; Indian architecture (Hindu); temples
- Collection Area:
- India Office Records and Private Papers
- Languages:
- Not applicable
- Date Range:
- c 1870
- Extent:
- 1 item
266. ORB.40/584(3)
- Reference (shelfmark):
- ORB.40/584(3)
- Title:
- The Hurkee Pyree or Sacred Bathing Ghât at Hurdwar (from the town). Photographer: Glover, Thomas George
- Scope & Content:
- Genre: Architectural Photography View from the upper platform of the ghat looking towards the river, with shrines and a group of Indians in the right foreground. The European figure standing among a group of Indians on the platform resembles Glover.
- Collection Area:
- Visual Arts
- Languages:
- Not applicable
- Date Range:
- c 1864
- Extent:
- 1 item
267. P4
- Reference (shelfmark):
- P4
- Title:
- 'Temple of Magnee'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 15 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
- Scope & Content:
- 'Temple of Magnee'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 15 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
- Collection Area:
- Visual Arts
- Languages:
- Not applicable
- Date Range:
- 1820
- Extent:
- 1 Item
268. P14
- Reference (shelfmark):
- P14
- Title:
- 'Pagodas in Deogur'. Coloured aquatint by W. Hodges. Plate 22 of Select Views in India, London, 1785-88. Artist(s): Hodges, William (1744-1797)
- Scope & Content:
- 'Pagodas in Deogur'. Coloured aquatint by W. Hodges. Plate 22 of Select Views in India, London, 1785-88.. Artist(s): Hodges, William (1744-1797)
- Collection Area:
- Visual Arts
- Languages:
- Not applicable
- Date Range:
- 1785-1788
- Extent:
- 1 Item
269. P28
- Reference (shelfmark):
- P28
- Title:
- 'The Great Pagoda, Trichinopoly'. Coloured aquatint by Thomas and William Daniell after Thomas Daniell. Part 2, Plate 20 of Oriental Scenery, London, 1797-1798. Artist(s): Daniell, Thomas (1749-1840)
- Scope & Content:
- 'The Great Pagoda, Trichinopoly'. Coloured aquatint by Thomas and William Daniell after Thomas Daniell. Part 2, Plate 20 of Oriental Scenery, London, 1797-1798.. Artist(s): Daniell, Thomas (1749-1840)
- Collection Area:
- Visual Arts
- Languages:
- Not applicable
- Date Range:
- 1795-1797
- Extent:
- 1 Item
270. P43
- Reference (shelfmark):
- P43
- Title:
- 'Hindoo Temples at Agouree on the River Soane, Bahar'. Coloured aquatint by and after Thomas Daniell. Part 1, Plate 19 of Oriental Scenery, London, 1795-1797. Artist(s): Daniell, Thomas (1749-1840)
- Scope & Content:
- 'Hindoo Temples at Agouree on the River Soane, Bahar'. Coloured aquatint by and after Thomas Daniell. Part 1, Plate 19 of Oriental Scenery, London, 1795-1797.. Artist(s): Daniell, Thomas (1749-1840)
- Collection Area:
- Visual Arts
- Languages:
- Not applicable
- Date Range:
- 1795-1797
- Extent:
- 1 Item