A Bombay cotton merchant and his associates. Photographer: Johnson and Henderson
Scope & Content:
Genre: Portrait Photography (generic types) Group portrait of cotton brokers and workers, posed in front of large bales of cotton. For a similar view, but with different figures posed in front of the same bales of cotton, see Vidya Dehejia (ed), 'India through the Lens. Photography 1840-1911' (...
The Seth of Muttra [Mathura]. Photographer: Bourne and Shepherd
Scope & Content:
Mathura was visited by the compiler of this album between 11th and 13th March, 1878. Full-length seated studio portrait of a seth (rich merchant/donor) of Mathura. Tentatively identified as Seth Luchmee Chund. Photograph unsigned, but probably by Bourne and Shepherd.
Frith's Series blindstamp. Kashmir and Ladakh were visited by album compiler between 3 April and 30 November 1878. Full-length studio portrait of two Afghan men, one seated, one standing; probably photographed in Kashmir.
Kashmir and Ladakh were visited by album compiler between 3 April and 30 November 1878. Studio portrait of two cloth sellers, arranged with bolts of material in front of a cloth backdrop. Photograph unsigned, but possibly from the Frith Series.
'Watering Place at Anjere Point.' Plate 14 from T. and W. Daniell, A Picturesque Voyage to India; by the way of China.' Longman, Hurst, Rees, and Orme. London: 1810. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
'Watering Place at Anjere Point.' Plate 14 from T. and W. Daniell, A Picturesque Voyage to India; by the way of China.' Longman, Hurst, Rees, and Orme. London: 1810.. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
The Bania, or merchant, riding on a pony. March 1872. Artist(s): Kipling, John Lockwood (1837-1911)
Scope & Content:
The’ Bania,’ or merchant, riding on a pony. March 1872. Inscribed on front in water-colour: ‘J.L.K. Khangaum. March 1872’; on back in pencil:’ No 30 The Bunia.’