Language: Not applicable / Subject: Palaces - British Library Archives and Manuscripts Catalogue Search Results

Reference (shelfmark):: Photo 1000/23(2283a)
Title:: Palace of the Raja of Mysore, with bodyguard on parade. Photographer: Dixon, Henry
Scope & Content:: Genre: Architectural Photography View looking across the courtyard towards the gallery of the palace. Duplicate of Photo 1000 (2017a). India Museum no. 398, received 31 January 1870. And another copy at Mss. Eur. G.91 (182).
Collection Area:: Visual Arts
Languages:: Not applicable
Date Range:: 1860s
Extent:: 1 item

Reference (shelfmark):: Photo 1000/23(2284a)
Title:: The Mohun Mahal, a new reception palace, Mysore. Photographer: Dixon, Henry
Scope & Content:: Genre: Architectural Photography View from the drive looking towards the main entrance to the palace, built in European style. India Museum no. 399, received 31 January 1870.
Collection Area:: Visual Arts
Languages:: Not applicable
Date Range:: 1860s
Extent:: 1 item

Reference (shelfmark):: Photo 1000/24(2337)
Title:: Ruins of the old Palace at Sambalpur. Photographer: Cornish, William Henry
Scope & Content:: Genre: Architectural Photography General view. India Museum no. 452. With note referring to India Public Letter no. 47 of 10 June 1869.
Collection Area:: Visual Arts
Languages:: Not applicable
Date Range:: c 1868
Extent:: 1 item

Reference (shelfmark):: Photo 1000/24(2338)
Title:: Ruins of the old Palace at Sambalpur. Photographer: Cornish, William Henry
Scope & Content:: Genre: Architectural Photography India Museum no. 453. With note referring to India Public Letter no. 47 of 10 June 1869.
Collection Area:: Visual Arts
Languages:: Not applicable
Date Range:: c 1868
Extent:: 1 item

Reference (shelfmark):: Photo 1000/24(2339)
Title:: Ruins of the old Palace at Sambalpur. Photographer: Cornish, William Henry
Scope & Content:: Genre: Architectural Photography India Museum no. 454. With note referring to India Public Letter no. 47 of 10 June 1869.
Collection Area:: Visual Arts
Languages:: Not applicable
Date Range:: c 1868
Extent:: 1 item

Reference (shelfmark):: Photo 1000/25(2450)
Title:: 'Harem' or palace and tank, Sarkhej. Photographer: Newton, Henry
Scope & Content:: Genre: Architectural Photography General view of building on the west side of the tank. A very faded print. 'Photo. by W. Griggs from a negative lent by H. Newton Esq. late of Bombay, 17/10/71.' Received 2 March 1872. India Museum no. 531/32.
Collection Area:: Visual Arts
Languages:: Not applicable
Date Range:: c 1870
Extent:: 1 item

Reference (shelfmark):: Photo 1000/28(2831)
Title:: General view of the Palace of Maharaja Jayprakash Singh of Deo. Photographer: Peppé, Thomas Fraser
Scope & Content:: Genre: Architectural Photography '...His palace, a large rambling building, is quite modern' (descriptive notes by T.F. Peppé accompanying photographs, India pub. proc., 18 February 1871, IOR/P/505 p. 1642). India Museum no. 1049.
Collection Area:: Visual Arts
Languages:: Not applicable
Date Range:: 1870
Extent:: 1 item

Reference (shelfmark):: Photo 1000/28(2876)
Title:: General view of the Mahal Sarai Palace, Rohtasgarh. Photographer: Peppé, Thomas Fraser
Scope & Content:: Genre: Architectural Photography
Collection Area:: Visual Arts
Languages:: Not applicable
Date Range:: 1870
Extent:: 1 item

Reference (shelfmark):: Photo 1000/28(2877)
Title:: Arched gateway at the south end of the main façade of the Mahal Sarai Palace, Rohtasgarh. Photographer: Peppé, Thomas Fraser
Scope & Content:: Genre: Architectural Photography Close view of gateway seen at left of print 2876. ' At the southern end of the principal front is a large arched gateway with two elephants cut in the stone on either side, and consequently called the Hathiya Pul. Within this gate there are several vaults and re...
Collection Area:: Visual Arts
Languages:: Not applicable
Date Range:: 1870
Extent:: 1 item

Reference (shelfmark):: Photo 1000/29(2878)
Title:: Audience hall of the Mahal Sarai, Rohtasgarh. Photographer: Peppé, Thomas Fraser
Scope & Content:: Genre: Architectural Photography 'Passing through this gateway the passage leads into a sort of courtyard, and immediately opposite the entrance is one of the finest buildings in the whole place. It was the public reception room, and was called the Barahdoware [Baradari] or twelve gates, and it...
Collection Area:: Visual Arts
Languages:: Not applicable
Date Range:: 1870
Extent:: 1 item

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