Photograph taken by J. Jackson in c.1868. General view from the south, looking towards Mandalay Hill and the temple on its summit; monastery buildings in foreground.
The Shoay Dagon Pagoda, Rangoon. Photographer: Jackson, J.
Scope & Content:
Photograph of the Shwe Dagon Pagoda at Rangoon (Yangon), taken by J. Jackson in c.1868. view of the central pagoda from the upper terrace of the Shwe Dagon.
The Soolay Pagoda, Rangoon Town. Photographer: Jackson, J.
Scope & Content:
Photograph of the Sule Pagoda at Rangoon (Yangon), taken by J. Jackson in c.1868. General view of the temple at the junction of Dalhousie and Sule Pagoda streets.
Bell Pagoda near Mandalay. Photographer: Jackson, J.
Scope & Content:
Photograph of the Bell Pagoda near Mandalay in Burma (Myanmar) from the Sladen Collection, taken by J. Jackson in c.1868. View looking towards entrance, flanked by guardian 'chinthes'.
Pagoda near Tounghoo, Burma. Photographer: Jackson, J.
Scope & Content:
Photograph of a pagoda in Taungoo taken by J. Jackson in c.1868. General view of a small pagoda, with Burmese figures and a European standing around the structure.
Southern approach to Shoay Dagon Pagoda, Rangoon. Photographer: Jackson, J.
Scope & Content:
Photograph from an album of 43 views of Burma (Myanmar) from the Sladen Collection, taken by J. Jackson in c.1868. View looking along the road leading to the Shwe Dagon, with a smaller, largely overgrown pagoda in the left foreground.
Temple of Shoay Dagon Pagoda platform, Rangoon. Photographer: Jackson, J.
Scope & Content:
Photograph taken by J. Jackson in c.1868. View of open-sided shrine with tiered wooden roofs, on the platform of the Shwe Dagon. Another copy at Photo 355/1 (163).
Prome. Covered approach to Pagoda. Photographer: Jackson, J.
Scope & Content:
Photograph taken by J. Jackson in 1868. View looking towards the north entrance of the Shwe San Daw Pagoda, with a covered walkway of tiered roofs leading up the hillside towards the pagoda. In the foreground two massive stone guardian lions (chinthes) flank the entrance.
