[Labelled 31, Guard House at entrance to Palace, but corresponds to Photo 312 (21), Some of Theebaw's Guards at the East Gate of the Palace.] Photographer: Hooper, Willoughby Wallace
Scope & Content:
Group of Burmese guards posed in front of gatehouse. Corresponds to Photo 312 (21).
[Eastward Ho! August 1857 by Henry Nelson O'Neil]. Photographer(s): Unknown.
Scope & Content:
View of an engraving that depicts the wives and families saying their farewells to the soldiers departing to war (First Indian War of Independence). Albumen print; print yellowing from upper, right, and lower edges Inscription in pencil beneath print: 'O'Neil'
[Home Again 1859 by Henry Nelson O'Neil]. Photographer(s): Unknown.
Scope & Content:
View of an engraving that depicts the soldier's return from war (First Indian War of Independence) and wives and families greeting them. A soldier is being helped off the boat. Albumen print; print yellowing from upper, right, and lower edges Inscription in pencil beneath print: 'O'Neil'
No. 33. The Siege in Peking. At the Methodist Compound. Patrol of American Marines returning after having cleared the streets of 'Boxers.' Photographer: Killie, Charles A.
Scope & Content:
View looking along a lane towards the American troops.
No. 38. The Siege in Peking. In the Methodist Compound. Improvised Stand for the Guard of American Marines. Private Turner, who was on guard when the photograph was taken, was afterwards killed. He was the crack shot of the Guard and a general favorite. Photographer: Killie, Charles A.
Scope & Content:
View showing Private Turner standing on the wooden tower looking out over the compound wall.
No. 50. The Siege in Peking. In the Methodist Compound. Flash-light picture of Capt. Hall, of the American Marines, with the key of the Ha-ta-men Gate in his hand. Photographer: Killie, Charles A.