Chám-cho-da. This is a knife 'Cho-da' consisting of a strip of cane sharp at both ends. At the handle a few strands of 'Yolba' twine are whipped on. This knife is only used for cutting articles of food. Photographer: Portman, Maurice Vidal
Showing howing the 'Chám-cho-da' is worn Photographer: Portman, Maurice Vidal
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Genre: Ethnographical Photography Half-length rear view of a man, showing iron knife and skewer hanging down his back from a necklace. Caption continues (in part): 'Most Andamanese wear a necklace of shells, human bones, twine or something similar. The 'Chám-da' is passed through this, and owin...
Small articles such as iron arrow barbs, long thin ribs of leaves, as in the picture (used in modern times by the Andamanese as pipe cleaners) ... are kept by the Andamanese man in his hair which is generally long and matted. Photographer: Portman, Maurice Vidal
Andamanese squatting on his heels. This attitude is never assumed for long, and it is generally used when a man goes to the hut of another for a few minutes conversation, when he sits thus, outside. Photographer: Portman, Maurice Vidal
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Genre: Ethnographical Photography Full-length, full-face portrait. Caption continues: 'Tha Andamanese are lazy race, and unless actually in motion, must, if standing up, always lean on or against something.'
This is the attitude generally assumed by the Andamanese when sitting in his hut. His back is usually leant against a log, or an upright of the hut. Photographer: Portman, Maurice Vidal
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Genre: Ethnographical Photography Andamanese man seated on ground with legs stretched out in front of him. Caption continues: 'The Andamanese assume as many attitudes in sitting or lolling about, as an English schoolboy, whom, in disposition they much resemble. They have no attitude peculiar to...
Andamanese rousing another from sleep. The attitude of the sleeping man is that usually assumed by the Andamanese. They are very irritable if suddenly awakened, and might seize their bow and arrows and shoot someone (not necessarily the offending party). Photographer: Portman, Maurice Vidal
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Genre: Ethnographical Photography Figure lying full-length on side with his head resting on one arm as a pillow, while another man squatting behind gently shakes him.
Andamanese woman sitting in the usual position in a hut. The back generally leans against a log or some such support. Photographer: Portman, Maurice Vidal