The Punt Pratinidhi of Satara (a Brahmin). Photographer: Hurrichund Chintamon.
Scope & Content:
Full-length seated portrait, with servants. It is unclear whether this portrait was also used in the Paris Exhibition of 1867, or whether the note to that effect refers only to print 4342, which is mounted on the same page.
Studio portrait of two Maratha youths from Akalkot, at Bombay. Photographer: Hurrichund Chintamon.
Scope & Content:
Full-length portrait of two young men, seated on either side of an occasional table. Both wear the characteristic elaborate turban of the Akalkot Marathas. Print shown at the Paris Exhibition of 1867.
Studio portrait of three Parsees and a Parbhu, Bombay. Photographer: Hurrichund Chintamon.
Scope & Content:
Group seated around a small table, on which are placed books and writing implements, emphasising their intellectual interests and attainments. The Parbhu (Prabhu) man is second from the right. For a detailed account of this group, see S.M. Edwardes, The Gazetteer of Bombay City and Island (3 vol...
Studio portrait of a large Parsee family group, Bombay. Photographer: Hurrichund Chintamon.
Scope & Content:
Group of 13 men, women and children, posed in front of backdrop. The elderly, bearded man in the front row also appears in prints 4349 and 4358. Print shown at the Paris Exhibition of 1867.
Studio portrait of Parbhu group, Bombay. Photographer: Hurrichund Chintamon.
Scope & Content:
Studio portrait of fourteen Parbhu men and a child. All the men wear the characteristic turban. See note at print 4349. Print shown at the Paris Exhibition of 1867.