General view of the five rathas, Mahabalipuram. Artist(s): Gantz, John (1772-1853)
Scope & Content:
General view of the five ‘rathas’. Inscribed: ‘North View of the 5 Pagodas about one mile south of Mahabilipoorum showing also a Lion and Elephant, the latter as large as life, the former larger, the whole cut sculptured from solid Granite stones - from a Sketch by Mr J. Braddock. J. Gantz’.
'An old ruined Temple about half a mile North of the Village Choultry Mahabilipoorum from a Sketch by Mr J. Braddock'. Artist(s): Gantz, John (1772-1853)
Scope & Content:
‘An old ruined Temple about half a mile North of the Village Choultry Mahabilipoorum from a Sketch by Mr J. Braddock. J. Gantz’.
The temple at Kalighat, Calcutta, with colour notes and architectural details. Artist(s): Solvyns, Frans Balthazar (1760-1824)
Scope & Content:
The temple at Kalighat, with colour notes and architectural details. Pencil; 28.2 by 41.8 cm. Note: A preliminary drawing for ‘Callegaut’ in Section 7 of ‘The Hindoos’.
Map of the confluence of the Barna and Ganges rivers with temples and the old fort on the left and brick kiln on the right, Benares. Artist(s): Prinsep, James (1799-1840)
Scope & Content:
Map of the confluence of the Barna and Ganges rivers with temples and the old fort on the left and brick kiln on the right. Pen and ink and water-colour.
Plan of a group of buildings on Dal-ki-Mandi, Benares. Artist(s): Prinsep, James (1799-1840)
Scope & Content:
Plan of a group of buildings on Dal-ki-Mandi. Inscribed: ‘Meer Roostum Ulee Ka Suraj. Dewan Shookr Oollah. Dal Kee Mundei’. On reverse plans of a densely built section of the city. Pencil and wash. Note: Drawings used to compile Prinsep’s map of Benares made in 1822.
Temple of Kailasanatha at Ellora near Aurangabad, viewed from the south looking north past the monolithic pillar towards the bridge connecting the Nandi shrine with the main temple. Artist(s): Grindlay, Robert Melville (1786-1877)
Scope & Content:
Temple of Kailasanatha at Ellora near Aurangabad, viewed from the south looking north past the monolithic pillar towards the bridge connecting the Nandi shrine with the main temple. Inscribed indistinctly: ‘.... ch Kylas. Principal .... R. Grindlay’; 1810 watermark. Water-colour; 46 by 58.5 c...
