This is an interim version of our Archives and Manuscripts Catalogue while we continue to recover from a cyber-attack.
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A Choultry, or place of worship, carved out of the Rock of Tritchinopoly, in high repute by the Malabars.. Artist(s): Stadler, Joseph C. (fl. c.1790-1815), after Ward, Francis Swain (1736-94), and Orme, William
Scope & Content:
A Choultry, or place of worship, carved out of the Rock of Tritchinopoly, in high repute by the Malabars. Drawn by William Orme after Francis Swain Ward. Engraved with aquatint by J.C. Stadler. 1802.
A Moorish mosque at Bangalore [in fact, the Gangadhareshvara temple at Bangalore, also included in Oriental Scenery V, 18].. Artist(s): Merke, Henri (fl. c.1790-1815), after Hunter, James (d.1792)
Scope & Content:
A Moorish mosque at Bangalore [in fact, the Gangadhareshvara temple at Bangalore, also included in ‘Oriental Scenery’ V, 18]. H. Merke aquatinta. 1804.
A pagoda at Struppermador [the gopuram to the temple with the shrine to Ramanuja, with the artist and colleague in R.A. uniform examining a drawing of it].. Artist(s): Merke, Henri (fl. c.1790-1815), after Hunter, James (d.1792)
Scope & Content:
A pagoda at Struppermador [the gopuram to a temple, with the artist and colleague in the uniform of the Royal Artillery examining a drawing of it]. H. Merke aquatinta. 1804. NOTE: Sriperumbudur is famous as the birthplace of the Vaishnava divine Ramanuja, and contains a beautiful shrine to hi...
A mosque at Struppermador [in fact the shrine within the Ramanuja temple. With the same two R.A. officers as 22].. Artist(s): Merke, Henri (fl. c.1790-1815), after Hunter, James (d.1792)
Scope & Content:
A mosque at Struppermador [in fact the shrine of the temple.] H. Merke aquatinta. 1804.
A view from the Royal Artillery encampment, Conjeveram [with the Ekambareshvara temple beyond].. Artist(s): Merke, Henri (fl. c.1790-1815), after Hunter, James (d.1792)
Scope & Content:
A view from the Royal Artillery encampment, Conjeveram [with the Ekambareshvara temple beyond]. H. Merke aquatinta. 1805.
'A Drawer, Brahmun'. Section 1st No.3 from 'A Collection of Two Hundred and Fifty Coloured Etchings descriptive of the Manners, Customs and Dresses of the Hindoos by Balt. Solvyns'. Calcutta, 1799. Artist(s): Solvyns, Frans Balthazar (1760-1824)
Scope & Content:
'A Drawer, Brahmun'. Section 1st No.3 from 'A Collection of Two Hundred and Fifty Coloured Etchings descriptive of the Manners, Customs and Dresses of the Hindoos by Balt. Solvyns'. Calcutta, 1799.. Artist(s): Solvyns, Frans Balthazar (1760-1824)
'A Ooria, Brahmun'. Section 1st [No.5] from 'A Collection of Two Hundred and Fifty Coloured Etchings descriptive of the Manners, Customs and Dresses of the Hindoos by Balt. Solvyns'. Calcutta, 1799. Artist(s): Solvyns, Frans Balthazar (1760-1824)
Scope & Content:
'A Ooria, Brahmun'. Section 1st [No.5] from 'A Collection of Two Hundred and Fifty Coloured Etchings descriptive of the Manners, Customs and Dresses of the Hindoos by Balt. Solvyns'. Calcutta, 1799.. Artist(s): Solvyns, Frans Balthazar (1760-1824)
'Callegaut'. Section 7th frontispiece from 'A Collection of Two Hundred and Fifty Coloured Etchings descriptive of the Manners, Customs and Dresses of the Hindoos by Balt. Solvyns'. Calcutta, 1799. Artist(s): Solvyns, Frans Balthazar (1760-1824)
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'Callegaut'. Section 7th frontispiece from 'A Collection of Two Hundred and Fifty Coloured Etchings descriptive of the Manners, Customs and Dresses of the Hindoos by Balt. Solvyns'. Calcutta, 1799.. Artist(s): Solvyns, Frans Balthazar (1760-1824)
'An Ooddoobahoo' [ascetic]. Section 7th No.10 from 'A Collection of Two Hundred and Fifty Coloured Etchings descriptive of the Manners, Customs and Dresses of the Hindoos by Balt. Solvyns'. Calcutta, 1799. Artist(s): Solvyns, Frans Balthazar (1760-1824)
Scope & Content:
'An Ooddoobahoo' [ascetic]. Section 7th No.10 from 'A Collection of Two Hundred and Fifty Coloured Etchings descriptive of the Manners, Customs and Dresses of the Hindoos by Balt. Solvyns'. Calcutta, 1799.. Artist(s): Solvyns, Frans Balthazar (1760-1824)