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Language Not applicable Subject rivers and lakes

231. WD540(27)

Reference (shelfmark):
WD540(27)
Title:
Meen-gyan, from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Meen-gyan, from the Steamer.’ TANTALIZED by late arrival at and early departure from the village of Koon-yooa, with its panorama of magnificent trees, colossal lions, beautiful pagodas and picturesque scenery generally, on the western bank, of which, consequently, no sketches could be obtained...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

232. WD540(28)

Reference (shelfmark):
WD540(28)
Title:
Kyouk Taloung from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Kyouk Taloung from the Steamer.’ AFTER leaving Meen-gyan vegetation began to resume its place again upon the eastern bank; and now the ‘nodding verdure’ of umbrageous trees, amongst which the beautiful Tamarind, and the lofty Palmyra are again found, once more enrich the scene. Passing the to...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

233. WD540(30)

Reference (shelfmark):
WD540(30)
Title:
View in Kyouk Taloung; looking over the River N.E.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘View in Kyouk Taloung; looking over the River N.E.’ A VIEW taken from the same spot, looking north, has no other interest than shewing the features of the place in that direction, and of the opposite shore. A few miles above this station the Mission was met by a large fleet of war boats, abou...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

234. WD540(31)

Reference (shelfmark):
WD540(31)
Title:
Distant view of Umerapoora, from the Sagain Hill.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Distant view of Umerapoora, from the Sagain Hill.’ UMEERAPOORA, the capital of Burmah, seen from the summit of the southern hill at Sagàin, over the broad expanse of the Irrawaddy, smooth and brilliant as a mirror, presented a spectacle which neither pencil nor pen could flatter. The city, wi...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

235. WD540(32)

Reference (shelfmark):
WD540(32)
Title:
Sagain, and distant view of Ava, from the Sagain Hill.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Sagain, and distant view of Ava, from the Sagain Hill.’ STANDING on the same spot from whence the preceding view was obtained, and turning southward, the scene embraces a very distant view of Ava, or the site of that old capital, which may be known by a dim and minute cluster of pagodas on the...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

236. WD540(33)

Reference (shelfmark):
WD540(33)
Title:
Umeerapoora, from the long wooden Bridge, crossing the Lake Toung-ummah.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Umeerapoora, from the long wooden Bridge, crossing the Lake Toung-ummah.’ THIS distant, flat, and very meagre view of the capital, or of its margin, is obtained from the long wooden bridge which crosses the lake ‘Toung-ah-mah’, lying eastward, or in rear of the city. The rustic but strongly bu...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

237. WD540(35)

Reference (shelfmark):
WD540(35)
Title:
Panoramic view of Umeerapoora. Looking N.W.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Panoramic view of Umeerapoora. Looking N.W.’ THIS view embraces a further part of the town on the river side, together with a continuation of the Sagain hills. On the extreme right and furthest point of land may be seen a mound, which to the eye of the observer is unintelligible in character....
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

238. WD540(49)

Reference (shelfmark):
WD540(49)
Title:
Dalhousie Bay, and Island of Negrais.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Dalhousie Bay, and Island of Negrais.’ FROM the hill at Fytche Point. The site of the new settlement near Cape Negrais, named after the Governor General, the Marquis of Dalhousie. To this place it is intended to remove the existing Government establishment from Bassein. It is situated on the w...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

239. WD540(50)

Reference (shelfmark):
WD540(50)
Title:
The Bank at Theroukmyeon (or Myenka-toung). Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘The Bank at Theroukmyeon (or Myenka-toung)’ MYENKA-TOUNG appears to have been the name by which, thirty years ago, the Pagoda was known which crowns one of the cliffs of red sand stone on the right or western bank of the river, between Menhla and Mengoon. It is referred to at page 9 of Report.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

240. WD540(51)

Reference (shelfmark):
WD540(51)
Title:
The Bank at Theroukmyeon (or Myenka-toung), higher up.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘The Bank at Theroukmyeon (or Myenka-toung), higher up.’ THE same, higher up, shewing a succession of similar cliffs, crowned, divided, and based by thick vegetation, The Pagoda now seen is believed to be that already referred to, which thirty years ago was supposed to be in danger from the riv...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

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