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Two sculptures from Amaravati Stupa, numbered '75' and '76'. . Artist(s): Murugesan Mudaliar (fl.1854)
Scope & Content:
The sculptures depicted in this drawing are now held in the British Museum. See Knox:109-10, #49 for '75' and Knox:128-9, #67 for '76'. The earliest known translation of the inscription on '75' is in APAC, IOR, F/4/2648, no.172608, f.61.
A sculpture from Amaravati Stupa numbered '78' and a sculpture fragment carved in blue-grey stone numbered '77'.. Artist(s): Murugesan Mudaliar (fl.1854)
Scope & Content:
The sculpture numbered '78' is now held in the British Museum. See Knox:225, #132. The sculpture numbered '77' is not from Amaravati.
Two sculptures from Amaravati. One shows a vase of lotus blossoms (numbered '79') and the other is a seated Bodhisattva (numbered '80'). . Artist(s): Murugesan Mudaliar (fl.1854)
Scope & Content:
The sculptures depicted in this drawing are now held in the British Museum. See Knox:221-2, #128 for '79' and Knox:218-9, #126 for '80'.
Panoramic view of Ootacamund. November 1851. Artist(s): Bellasis, George Hutchins (1807-1862)
Scope & Content:
Panoramic view of Ootacamund. November 1851. Inscribed on front in ink: ‘Ootacamund: (from our verandah.) Novr. 1851. G.H.B.’; in pencil ‘Et. Indies. Neelgery Hills’; also inscribed with numbers; key to numbers attached. 8.25 by 18.5 ins.
The Lake, Ootacamund. Landscape of rolling hills, a lake with sailing boat in foreground. October 1851. Artist(s): Bellasis, George Hutchins (1807-1862)
Scope & Content:
The Lake, Ootacamund. Landscape of rolling hills, a lake with sailing boat in foreground. October 1851. Inscribed on front in ink: ‘(1) The Lake, Ootacamund. (Octr. 51.).’