The Rock of Trichinopoly, with the River Cauvery in the foreground. Squared drawing for the aquatint published December 1797.. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
The Rock of Trichinopoly, with the River Cauvery in the foreground. 8 June 1792. Originally inscribed on mount in ink and pencil: ‘The Rock of Tritchinopoly taken on the River Cauvery.’ Pencil; 16.25 by 23.5 ins. Note: Drawing for ‘Oriental Scenery,’ part 2, plate 19. Squared.
View of the Fort of Trichinopoly; a ghat, with figures bathing, in the foreground. Squared drawing for the aquatint published July 1798.. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
View of the Fort of Trichinopoly; a ghat, with figures bathing, in the foreground. 10 June 1792. Originally inscribed on mount in ink and pencil: ‘View of the Fort of Trichinopoly.’ Pencil; 15.75 by 23.5 ins. Note: Drawing for ‘Oriental Scenery,’ part 2, plate 21. Squared.
View at Mamallapuram showing the lion, elephant and raths.Squared drawing for the aquatint published 15 October 1799. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
View at Mamallapuram showing the lion, elephant and raths. November 1792. Pencil; 16 by 23.75 ins. Note: Drawings for ‘Oriental Scenery,’ part 5, plate 1. Squared.
Bas relief of the 'Descent of the Ganges', Mamallapuram. Squared drawing for the aquatint published 15 October 1799. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
Bas relief of the 'Descent of the Ganges', Mamallapuram. November 1792. Pencil; 16 by 23.5 ins. Note: Drawing for ‘Oriental Scenery,’ part 5, plate 2.
Distant view of Black Town (Madras), an elephant and palanquin in foreground. Squared drawing for the aquatint published September 1797.. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
Distant view of Black Town, an elephant and palanquin in foreground. November 1792. Originally inscribed on mount in ink and pencil: ‘Part of the Black Town, Madras.’ Pencil; 16 by 24 ins. Note: Drawing for ‘Oriental Scenery,’ part 2, plate 8. Squared.
A baoli with steps leading down to a tank at Ramnagar, near Benares (U.P.). 15 November 1789.. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
A ‘baoli’ with steps leading down to a tank at Ramnagar, near Benares (U.P.). 15 November 1789. Inscribed on back in ink: ‘Near the Temple built by Rajah Cheyt Sing Ramnagur.’ Pencil; 14.5 by 20.75 ins. Purchased 8 November 1961. Note: Original sketch for Oriental Scenery, part III, no. 20 ...
The same scene: gateway (probably the S.E.) at Anupshahr fort (U.P.). 15 March 1789. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
The same scene: gateway (probably the S.E.) at Anupshahr (U.P.). 15 March 1789. Inscribed on mount in pencil: ‘Gateway, Anopshehr.’ Pencil and wash; 7.75 by 11.5 ins. Purchased 8 November, 1961. Note: This and the preceding drawing were mounted on the same sheet by Sir Henry Russell. They ...
Motihjarna waterfall in the Rajmahal Hills, West Bengal. 12 October 1788.. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
Motihjarna waterfall in the Rajmahal Hills, West Bengal. 12 October 1788. Faint and mow unreadable inscription on mount. Pencil on buff paper; 16.5 by 22.5 ins. Purchased 8 November 1961. Note: Subject identified by comparison with other drawings, e.g. that attributed to R.H. Colebrooke, Ch...
The Mahabodhi Temple at Bodhgaya.. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
The Mahabodhi Temple at Bodh Gaya. March 1790. Inscribed on front in pencil: ‘52 Bramineegur. The Temple.’ Pencil and crayon; 16.25 by 23.25 ins. Purchased 8 November 1961.
