[Cameraless contact negative of the stem of an Apiaceae Plant.] Photographer: Talbot, William Henry Fox
Scope & Content:
Genre: Scientific Photography A cameraless contact negative of a plant of the parsely family with one of the bottom petioles facing downward. Negative trimmed to image size.
[Cameraless contact negative of a sample of lace.] Photographer: Talbot, William Henry Fox
Scope & Content:
A cameraless contact negative of a sample of lace, the fabric designed with rows of a scrolled leaf pattern, which includes small five petal flowers in between; the border has a convex edging. Negative trimmed to image size.
[Cameraless contact negative of a sample of lace.] Photographer: Talbot, William Henry Fox
Scope & Content:
A cameraless contact negative of a piece of lace, with small leaf motif over the majority of the fabric; the border has a convex edging with alternating patterns. Negative trimmed to image size.
The Beach at Cape Comorin. Artist(s): Foote, Robert Bruce (1835-1912)
Scope & Content:
Pen-and-ink and wash drawing of the beach at Cape Comorin (Kanniyakumari)by Robert Bruce Foote (1835-1912) in 1860. Inscribed on front in ink: ‘R.B. Foote delt. 18.9.1860’; on back:’ View of Cape Comorin, the Kumla Kumari Pagoda, and islands - from a point 1.25 miles N.E. of the Cape.’ Purch...
Mahabodhi temple, Bodh Gaya (Bihar). Artist(s): Crockatt, James (1755/6-1804)
Scope & Content:
Mahabodhi temple, Bodh Gaya (Bihar). c.1800. Inscribed on back in ink: ‘East view of the Hindoo temple at Bode-Gya, in the neighbourhood of Gya in Behar’;’ taken by Capt. Crokatt.’ Water-colour; 15.75 by 17.5 ins. Purchased 6 May 1913. Exhibited: India Moderna, IVAM Institut Valencia d'Art ...
View near Sakrigali (Bihar). 1796-97. Artist(s): Colebrooke, Robert Hyde (1762-1808)
Scope & Content:
View near Sakrigali (Bihar). 1796-97. Inscribed on mount in pencil: ‘An Invalid Village near Sicrigully. Indian Scenery by R. Colebrooke 1796. R.H. Colebrooke delint. 1796-7’; on back in ink:’ View of an invalid Village near Sikrigully. R.H. Colebrooke delint. 1796-7.’ Pencil and water-colo...
S.W. view of Jambakistna and Srirangam. Captain Trapaud, a friend and his dog are sitting on the river bank. Artist(s): Trapaud, Elisha (1750-1828)
Scope & Content:
S.W. view of the temples of Jambukrishna and Srirangam. Captain Trapaud, a friend and his dog are sitting on the river bank. 1785. Inscribed on back in ink: ‘S.W. View of Jumbakistna & Seringham-and of the Colevoor & Covery rivers’; on front in pencil: ‘A. Capt Trapaud. B. Mackson....
A distant view of Tanjore across a tank; a boat and two villagers in the foreground. Artist(s): Trapaud, Elisha (1750-1828)
Scope & Content:
A distant view of Tanjore across a tank; a boat and two villagers in the foreground. c.1785. Inscribed on front in pencil: ‘Distant view of Tanjore. Trapaud’; on back in ink: ‘Distant view of Tanjore.’ Water-colour; 14.75 by 20.75 ins.
The Rajarajesvara Temple, Tanjore.. Artist(s): Trapaud, Elisha (1750-1828)
Scope & Content:
The Rajarajesvara Temple, Tanjore. 1801 (?). Inscribed on front in pencil: ‘Pagoda at Tanjore. Capt Trapaud 1801 (?)’; on back in ink: ‘Great Pagoda &Bull at Tanjore.’ Water-colour; 11.75 by 18 ins.
Yule's bungalow in the Khasi Hills (Assam). Between 1841 and 1842. Artist(s): Yule, Sir Henry (1820-1889)
Scope & Content:
Yule's bungalow in the Khasi Hills (Assam). Between 1841 and 1842. Inscribed on front in pencil: ‘My house in the Kasea Hills, 1841-42.’ Pencil and water-colour; 9.5 by 12.75 ins.
