The Raja’s house on the bank of the River Hooghly, Hurrodham, Nadia District (Bengal). Artist(s): Colebrooke, Robert Hyde (1762-1808)
Scope & Content:
The Raja’s house on the bank of the River Hooghly, Hurrodham, Nadia District (Bengal). 1796. Inscribed on front in pencil: ‘R.H. Colebrooke. delt 1796’; on original mount in ink: ‘The Rajah’s House at Hurdum. By R.H. Colebrooke. 1796-7.’ Pencil and water-colour; 14 by 21 ins.
Two European houses standing in a large compound, probably in Bengal. c.1794-97. Artist(s): Colebrooke, Robert Hyde (1762-1808)
Scope & Content:
Two European houses standing in a large compound, probably in Bengal. c.1794-97. Inscribed on mount in pencil: ‘R.H. Colebrooke.’ Pen-and-ink and water-colour; 16.5 by 24.75 ins.
Distant view across a tank of the Great Temple at Tanjore, with the two gopurams and the temple vimana viewed in a line.. Artist(s): Trapaud, Elisha (1750-1828)
Scope & Content:
Distant view of three temples, a tank in the foreground, probably at Tanjore. c.1785. Water-colour; 14.5 by 21 ins. Exhibited: India Moderna, IVAM Institut Valencia d'Art Modern, 11 December 2008 - 15 February 2009. Published: 'India Moderna,' (Valencia:IVAM Institut Valencia d'Art Modern, ...
A distant view from the W. of Fort St George (Madras). Artist(s): Trapaud, Elisha (1750-1828)
Scope & Content:
A distant view from the W. of Fort St. George. c.1785. Inscribed on front in pencil: ‘Fort St George from the Westward. Capt. Trapaud. 1786.’; in ink:’ E. Trapaud 1785’ Water-colour; 13.25 by 18.25 ins.
W. view of Trichinopoly and Srirangam.. Artist(s): Trapaud, Elisha (1750-1828)
Scope & Content:
W. view of Trichinopoly and Srirangam. c.1785. Inscribed on front in pencil: ‘West view of Trichinopoly. Seringham etc. Capn Trapaud.’ Water-colour; 12 by 19 ins.
The village of Barhaiti with a temple in the foreground, Garhwal (U.P.). 21 April 1808. Artist(s): Hearsey, Hyder Young (1782-1840)
Scope & Content:
The village of Barhaiti with a temple in the foreground, Garhwal (U.P.). 21 April 1808. Inscribed on front in ink:’ 2’; on front of original mount in ink: ‘Burheitee.’ Water-colour; 14.75 by 18.75 ins. Note: For Barhaiti, see ‘Asiatick Researches’, xi, 1810, 472.
Devaprayaga and a rope bridge across the Bagirathi, Garhwal (U.P.). 'Slit-eared' ascetics sitting on the rocks in the foreground and a woman washing her clothes. 11 May 1808. Artist(s): Hearsey, Hyder Young (1782-1840)
Scope & Content:
Devaprayaga and a rope bridge across the Bagirathi, Garhwal (U.P.). 'Sliteared' ascetics sitting on the rocks in the foreground and a woman washing her clothes. 11 May 1808. Water-colour; 14.25 by 21.75 ins. Note: ‘See Asiatick Researches’, xi, 1810, 488.
The village of Devaprayaga with a rope bridge across the Bagirathi Garhwal (U.P.). 11 May 1808. Artist(s): Hearsey, Hyder Young (1782-1840)
Scope & Content:
The village of Devaprayaga with a rope bridge across the Bagirathi Garhwal, (U.P.). 11 May 1808. Inscribed on front of picture in ink: ‘3’; in ink: ‘Rope Bridge. Deeo Praug’. Water-colour; 14 by 21.5 ins. Note: ‘See Asiatick Researches’, xi, 1810, 488.
A view of Badrinath; snow-covered mountain in the background, three yaks and two boys in the foreground. Garwhal (U.P.). 29 May 1808. Artist(s): Hearsey, Hyder Young (1782-1840)
Scope & Content:
A view of Badrinath; snow-covered mountain in the background, three yaks and two boys in the foreground. Garwhal (U.P.). 29 May 1808. Inscribed on back in ink: ‘Badrinath in Garhwal l808’. Water-colour; 14 by 20.5 ins. Note: ‘See Asiatick Researches’, xi, 1810, 521.